“To Conform or Be Cast Out: A Story on Finding True Happiness” by Lauren Cohen

People were created to be loved. Things were created to be used. The reason why the world is in chaos is because things are being loved and people are being used.

---Unknown

What would have happened had our ancestors not chosen to progress forward and make life easier? Would we be more carefree, like the Bushmen in Jamie Uys’ 1980 film, The Gods Must Be Crazy? Unfortunately, there is no empirical way to answer the question. However, what can be answered is how the decision to progress forward has shaped the society that we have come to know. Our lives are very similar to the urbanites in Uys’ movie. While we have been walking the path of progress, fitting ourselves into a daily schedule and a select set of social norms, we have forgotten one of the most important things in life: happiness. Unlike the Bushmen, it is rare for a member of our society to feel joyous well-being. Should it happen to someone, that individual is often judged as selfish, their felicity in question. If the only thing we care about is conformity and keeping busy, we may lose sight of the gifts that contentedness and love can bring.

Uys expands on the difference between the Bushmen and Western society by depicting Kate Thompson following the same exact routine every. As the voice-over reminds us, Western society expects its citizens to “adapt and readapt himself to every day and every hour of the day to his self-created environment” (Uys 06:25). Because humankind chose to force their natural surroundings to adapt to their own needs, they now have to readapt their lives to fit into what they have made. Life consists of waking up, going to work or school, going back home, eating dinner, doing homework, and then going to sleep, with some other activities and chores plugged in here and there every now and then. This type of a life is the typical day-to-day circumstances that just about every person leads. It is how Kate Thompson lives, given that she has a conventional job as a journalist. The problem is that these individuals are not necessarily enjoying their quality of life, at least not like the Bushmen.

In the Kalahari Desert, the Bushmen have adapted their lives to nature, as opposed to making nature adapt to their lives like Western civilization. The Bushmen rely on the resources found within the natural surroundings around them for survival. Competition does not exist; there is no sense of ownership and no bitterness. As the narrator puts it, “they must be the most contented people in the world” (Uys 02:46). They feel blessed for everything they have, and believe that the gods have given them everything they will ever need. Their lives are peaceful. That is, however, until Xi finds an empty Coca-Cola bottle that “fell out” of the sky.

Because of their strong belief that the gods send them essential needs, the Bushmen take the Coke bottle as a gift. They, then, learn how to use it for many different tasks and adapt it into their everyday lives; it becomes a snake skin smoother, a pounder for food, “ a musical instrument, a patternmaker, a fire starter, a cooking utensil, and, most of all, an object of bitter controversy” (Ebert, par. 2). Despite never having felt anger, hatred, or jealousy before, the Coke bottle invokes these exact emotions. Tension builds, anger arises, the feeling of ownership develops, and, worst of all, violence breaks out. After the tribe realizes how the bottle has changed them, they unanimously decide that it is best to get rid of the so-called “evil” bottle. So, Xi takes a journey to the “end of the earth” to “throw it off” (Uys 15:03). Making this sort of decision is not necessarily an easy one; that is, to most Western people. However, the Bushmen value their love and happiness over having life made easier for them.

That the Bushmen came to the decision to rid themselves of the Coke bottle so quickly shows how vastly different, and in a sense wiser, they are than their Western society counterparts. Had those in the cities been faced with a similar issue, that of having a single object to share in order to make life easier, all hell would have broken loose. When one thinks of it, that event reflects exactly what happened hundreds, if not thousands, of years ago when Western civilization chose to make life “easier” while natives, like the Bushmen, chose to value love and true happiness amongst each other. “Xi understands that his people have two choices . . . progress or happiness. Our ancestors chose the former, and the world has expanded . . . Xi and his tribe make the opposite choice” (Kaston, par. 2). Our ancestors chose to make their lives “easier” by inventing things, creating governmental systems, and implementing different forms of employment. However, having all these elegant social structures have made life harder rather than easier. Competition was created, rich versus poor ideals formed, tension built over time, and life as we know it has gotten to the point of there being more hate and jealousy than love. This is not the case with the Bushmen; they care for each other, and make sure that every individual is safe and satisfied. So, where did we go wrong?

We failed to ensure that our emotional well-being was stable. We put so much pressure and care into making our physical lives better that we never considered the emotional repercussions. Modern society has become so fixated on the idea of improvement and conformity that we are more stressed and depressed than ever. Just like Kate in Uys’ movie, we are being put into normal jobs that will make us money but that also bring us despair. The only difference is that we are scared to do anything about it. Kate takes a leap of faith and decides to completely change her life by becoming a teacher for children in Botswana after learning about the position through her journalism job (Uys 25:58). Not many people in today’s society would even give that idea a second chance, let alone go through with it. Unfortunately, we have become programmed to adapt to the world around us. But Kate changed the programming when she realized that it was off course. The main issue with our society’s programming is that we are forcing a world to adapt to us, yet are never truly satisfied with the changes.

Competition exists in just about every area of life. From the social ladder to economic classes to the expensive items we buy on a daily basis, competition stems from the idea that there always needs to be a new advancement in technology. With this constant change, there is next to no room for us as a society to learn and adapt to our new surroundings. With each new iPhone or new version of Amazon’s Alexa or new autopilot car, like the Tesla, that comes out, society grows ever-desperate trying to get these new pieces of technology in their hands. The problem with this is that not everyone has the availability to get it. But we make it important to have these new toys and if one does not have it, they are automatically seen as less than. Our self-value is based around the items that we can or cannot have. We will consider ourselves to be less than those who can afford the next new and improved “magic power devices” (KP). This need to adapt and conform to societal standards has threatened us, yet we have not even noticed it. 

The main focus of society’s worries and fears is judgment and standing out. It is one of society’s (most specifically our generation’s) main illnesses (Picciano, par. 2). We are so scared of being different that we will conform to whatever society deems appropriate, regardless if we disagree with it or not. This is especially seen within teens. It has become common for “teenagers [to] conform to anything and everything to avoid standing out in the fear of being judged or exiled by their peers, even if they do not agree to the beliefs of the clique they have chosen to fit into” (Bhatia, par. 3). They will do anything in their power to fit in and not be seen as an outsider. This is the type of behavior that leads to the landing of “normal” jobs and living the typical daily lives seen within The Gods Must Be Crazy. We thrive on the idea that we need to be like everyone else and live a “full” life, which is filled with next to no downtime set aside for personal care or growth. The lives that we, and those “urbanites” in the movie, chose to live has turned into this “Normative Social Influence: the idea that we comply in order to fuel our need to be liked or belong” (Green 05:55). Psychologically speaking, we want nothing more than to be seen as normal and follow whatever the current trend is in society. This sort of behavior is nothing new, as psychologists have been experimenting with the idea of conformity for over 60 years.

Solomon Asch, a social psychologist, conducted an experiment about conformity back in the 1950s. The experiment consisted of putting a participant in the same room as seven other “participants” (men who worked with Asch on the experiment) and finding out whether or not the real participant would conform to the answer that the other seven already agreed on. The participants had to distinguish which comparison line matched that of the “target” line that Asch presented to them. What Asch found was that, “On average, about one third (32%) of the participants who were placed in this situation went along and conformed with the clearly incorrect majority on the critical trials” (McLeod, par. 11). Asch discovered through this experiment that “People conform for two main reasons: because they want to fit in with the group (normative influence) and because they believe the group is better informed than they are (informational influence)” (McLeod, par. 16). Despite knowing that the answer was wrong, the men did not want to be seen as the “outsider,” so they went along with the incorrect answer. It is this constant need and desire to be like everyone else that we have lost a very important aspect to living a decent life: happiness and love.

There is this so called “happiness famine” (Morrill, par. 5) in society and it has caused us to lack empathy and love for each other. Most importantly, it has caused us to lose happiness for not only others, but ourselves. We are constantly wanting new “toys” and crave getting the newest technological device. So, when we are unable to get them, we become unhappy with ourselves, and after a while, it leads to self-hatred. Along with this, we force ourselves to follow the “rules” that society has laid out for us: go to school, get a degree, get a 9-5 job that will pay good money, get married, have kids, buy a big house, be rich, and boom, we have the “perfect” life. The problem, however, is that there is no such thing as a perfect life and because of that, we will never be truly happy or satisfied with where we are in life. 

We have let this concept of a perfect life consume us. It has gotten to a point where “stress consumes the population as everyone scrabbles for that house with the picket fence which they never truly get to enjoy because work is always hanging over them” (Morrill, par. 5). Because this is what society says we should have, we feel horrible when we are unable to have it. Unlike the Bushmen, we stress ourselves out trying to get the “perfect” life that an imperfect society has carved out. What this has caused is a dramatic shift in emotional and mental health, and causes distance between us and our loved ones. We live believing that “modern society equals fullness with meaning so if schedules are always booked then life must be wonderful” (Morrill, par. 7). A majority of the time, we never have time for one another, so we tend to not know what it means to love or to be happy. It has gotten to a toxic point where because of this societal pressure to be like everyone else and to have a full schedule, our mental health has worsened as a whole. This is especially true within teenagers.

Teens are being crushed under the weight of needing good grades, having a perfect social life, getting enough personal time for themselves, and, worse of all, not being seen as an “outsider.” In Rush’s 1982 song, “Subdivisions,” Neil Peart wrote, “Subdivisions in the high school halls, in the shopping malls; conform or be cast out. Subdivisions in the basement bars, in the backs of cars; be cool or be cast out” (Rush). Peart was referencing how society has created these so-called subdivisions in every aspect of life. This is especially true for students in high school. There are numerous social groups that students get placed into, and if one is to be placed in the “wrong” one, they are automatically cast out and deemed unworthy. This is the experience that I had growing up, not only in high school, but throughout my entire school life.

I was not like the “typical” girl, nor did I fit in any mold that society (specifically the one I grew up in) had premade for the different types of teenagers. This “typical,” ideal girl is the popular, outgoing, kind, friendly, party girl with an ever so slight edge. I, on the other hand, was the shy, overly nice, nerd, who loved the “wrong” music, and was obsessed with theater. I was the outsider and people thought that made me really weird, and for some time, I thought the same thing. This, then, led to my mental health becoming severely worse than it already was, resulting in an extreme case of anxiety and a very mild case of depression. But I am not the only one who goes through this. Mental illness is being diagnosed more than ever and it all stems from the society we live in, most specifically, the lives we have forced ourselves to live.

Because we want the job that makes good money, we get ones that are not necessarily what we dreamed for and end up dreading going to work. We no longer pursue dreams and are scared to work outside of the limits that society has set for us. However, we can live a life that we want and desire. The only thing it takes is stepping outside of that social norm. Take Andrew Steyn, for instance. He has a job that requires him to analyze animal excrement, yet he is content and happy. He is a scientist, one who is proud of where he is in life. Another example is when Kate makes the move to the Kalahari. It is instantly recognized that she is more content being with her students than trapped in the cubicle she used to work within. If we were to follow in their footsteps, maybe we would learn true happiness again.

In order for our society to grow and help the growing mental health crisis, we need to come together again to break these societal norms. As a person who is doing her best to break those social norms, I know how scary it is. I went from wanting to be a physical therapist to a geneticist to being a filmmaker. I may have to struggle in order to live my dream life and will have to work my butt off to make money, but I am okay with that. I would rather be happy living a life doing something I love, something that may mean sacrificing a larger paycheck, as opposed to a life where I am unhappy, stressed, and despise my job.

If we are to have a society that loves and is filled with happiness again, like the Bushmen, we need first allow ourselves to open up and learn what we want in life. With this, we will find true happiness within ourselves. This will, then, spread to each other and we will have a society filled with love and respect and kindness. It is a hard thing to accept but, “until our culture can choose peace of mind over higher productivity, we will never self-actualize like the Bushmen of the Kalahari Desert” (Kaston, par. 7). The moment we as a society prioritize ourselves and those around us is the moment that we will truly grow. But until that happens, we will be stuck in the harsh conditions of Western civilization. The real question is, who will be the one to step up first and break down the walls society has built around us?

Works Cited

Bhatia, Jill. “Teens struggle to combat conformity.” Daily Records, AsburyPark, 15 Feb. 2017 https://www.dailyrecord.com/story/opinion/letters/2017/02/15/teens-struggle-combat-conformity/97896120/ 

Ebert, Roger. “The Gods Must Be Crazy” RogerEbert.com, Roger Ebert,  1 Jan. 1981. https://www.rogerebert.com/reviews/the-gods-must-be-crazy-1981 

Gordon, Paul Kirpal. Various class Discussions

Green, Hank, director. Social Influence: Crash Course Psychology #38. YouTube, YouTube, 11 Nov. 2014, www.youtube.com/watch?time_continue=12&v=UGxGDdQnC1Y. 

Kaston, Brandan. “The Price of Happiness is Actually Free” Taking Giant Steps, 2 Nov. 2018, https://giantstepspress.blogspot.com/2018/11/the-price-of-happiness-is-actually-free.html 

McLeod, Saul. “Solomon Asch - Conformity Experiment.” Simply Psychology, Simply Psychology, 28 Dec. 2018, www.simplypsychology.org/asch-conformity.html. 

Morrill, Morgan. “The Ironic Hospitality of the Kalahari Desert” Taking Giant Steps, 14 Mar. 2018, https://giantstepspress.blogspot.com/2018/03/the-ironic-hospitality-of-kalahari.html 

Picciano, Kelsey. “Just Another Loose Brick in the Wall” Taking Giant Steps, 16 July. 2016, https://giantstepspress.blogspot.com/search?q=just+another+loose+brick+in+the+wall

Rush, “Subdivisions”, Signals, Terry Brown, Le Studio, Quebec, 1982

The Gods Must be Crazy. Directed by Jamie Uys, performances by N!xau, Marius Weyers, and Sandra Prinsloo. 20^th Century Fox., 13 July. 1984. 123Movies

The Dark Side of Civilization by Jennie Spellman

America likes to claim the title of being one of the most “civilized” countries, but what does civilized truly mean? After watching Jamie Uys’ The Gods Must Be Crazy and joining KP’s class discussions, I became genuinely disturbed by the word civilized and its true definition. Throughout our lives, we are influenced by societal norms and peer pressure. Everything we embark upon is done with the consideration of what other people will think of us. We are goaded into what we wear, what we do, what we buy all to answer the silent question: how will I fit in? In “The Ironic Hospitality of the Kalahari Desert,” Morgan Morrill writes of our American lifestyle, “There is barely time to breath in this machine-like world with the amount of meetings and activities that everyone has written on to their calendars” (Morrill, par. 1).

At first, I believed I was not a part of this machine-like world until writer and director Jamie Uys helped me understand just how deeply rooted societal conformity is in my life choices. He delivers the effects of restrictive societal norms for the viewer to experience first-hand. In comic fashion, The Gods Must Be Crazy analyzes the days of the week and our distorted perception of time. I thought back to the film Walkabout in which director Nicolas Roeg demonstrates that the true flaw of civilized culture is its inability to adapt or adjust to circumstances. He allows the viewer the chance to analyze the actions of a civilized British schoolgirl in the Australian Outback, an environment that is deeply unfamiliar to her. In different ways The Gods Must Be Crazy and Walkabout reveal how these pressures obstruct our ability to habituate, accommodate and acculturate to new conditions.

   

Furthermore, The Gods Must Be Crazy is a mockumentary about the Kalahari Bushmen and their way of living. The film compares the Bushmen lifestyle to the civilized lifestyle in apartheid South Africa. Uys employs satire in order to force the viewer to see the civilized world in a new light. Although Uys only focuses on the civilized world for a portion of the film, he targets the many failures of cultural adaptation. As the camera moves away from the serene and calm habitat of the Bushmen, the viewer is then hit with sequences of crowds, busy streets, and towering buildings (Uys, 00:05:30). The contrast that Uys creates highlights the wholesomeness of the Bushmen community against the civilized lifestyle displayed in short, chaotic fragments. The voice of the narrator accompanies these scenes in a demeaning tone. The narrator explains how “civilized man refused to adapt himself to his environment and instead adapted his environment to suit him” (Uys, 00:06:36-00:10:30). The civilized man thus set standards for society, which we call social norms.

In “How Social Norms Affect Our Decisions,” Doctor Carrie Steckl describes social norms as, “expectations that inform us how we’re supposed to behave in certain situations – [that] are ubiquitous in our society” (Steckl, par. 2). She explains how social norms have four common aspects: they tell us what to do and what not to do; they are socially shared; they carry an element of control or sanction; and they highly influence one’s behavior (Steckl par. 3). These expectations ultimately control how we act as individuals and how we act as a community. 

In The Gods Must Be Crazy, Kate Thompson is a writer for a big city newspaper. When one of her coworkers asks her to write a story about handicapped children, she quickly refuses the idea saying, “Sorry. I’ll only print sweetness and light, even if it bores the pants off them” (Uys, 00:07:05). Just a few seconds later another one of her companions asks if she could write a story on the teacher shortage in Botswana. Instead of considering the idea, Thompson says again, “I don't know. I got bawled out for writing a story on mugging. My page should be sweet and light, like Liberace and Jackie Onassis” (Uys, 00:07:36). Thompson is letting social norms control her and what she writes about. Instead of writing about something that peaks her curiosity, she is limited by convention to write about topics that are “sweet and light” even if they may be boring. Society writes the script of our lives, and like good actors, we play the part. These constraints are preventing us from adapting and advancing as human species.

The inability to revamp and reshape our limited outlook is taken further in the film Walkabout. Roeg shows us the journey of a teenage British girl and her younger brother who must endure the Australian desert on their own when they are abandoned by their suicidal father. During their “walkabout,” they encounter a young Aboriginal man who is accustomed to the dry Australian desert. Throughout the film, The Girl is unable to acclimatize to the Aboriginal way of life due to the expectations of her civilized lifestyle. In “Walkabout: Where the Wild Things Are,” Allison Bellesheim writes, “The two children are symbols for civilization, as they grew up in a world where they learned proper etiquette, were taught to get educated to ensure future employment, and were given food instead of having to hunt for it” (Bellesheim, par. 2). Coming from a strict and demanding society, The Girl cannot conform to a new way of life in her walkabout. This theme is highlighted throughout the whole film, but it can specifically be seen when she first meets the Aboriginal hunter. She is unable to ask him for water due to the language barrier (Roeg, 00:36:30). Further on in the film, The Girl worries to her younger brother about their appearance, even though no one is there to see or judge them. She says, “You must look after your blazer. It’s got to last. We don’t want people thinking we’re a couple of tramps. And you’ve put a hole in your pocket. Don’t! You’ll ruin your nice shoes” (Roeg, 00:34:28-00:37:10). Her bizarre reaction is merely an effect that social norms have engraved in her brain. Even further into the film as The Girl, The Boy, and The Aboriginal are painting on the rock walls, she complains saying, “I wish we had a proper pencil” (Roeg, 01:10:53). Her rigid upbringing in a “superior” and civilized society has caused her to become so incredibly closed off to change that it obstructs her from refashioning herself. My classmate Lindsay Knight describes her as, “cracking under modern society, living the same type of monotone lifestyle instead of adapting to the Aboriginal way” (Knight). Mentally stuck in her civilized ways, she proves unable to grow culturally.

On the first day of class, we learned about three diseases in our society, especially for our generation: short attention spans, overwhelming competition with one another and a paralyzing fear of being judged. The third one stood out to me the most. It is the fear of stepping out of social norms, which stops us from widening our outlook and deepening our personal growth. One elemental step in life that people are unfamiliar with is college. In American society, it is assumed that one will go to college right after high school. However, this may not be the right path for everyone. Although high schools host college fairs and college panels, they seem to be missing a very important alternative: gap year programs. This past semester, as I was studying at Hofstra University, one of my closest friends taught at a private school in Thailand. Not only was she pursuing her interest in becoming a digital arts teacher, she was also evolving and growing as a person. Her gap year “walkabout” helped her discover her true path in life in a way she would have never been able to have done while in college.

Having the strength to step out of the societal comfort zone enables us to learn in rare ways. Without this courage we are forever stuck in society’s restrictions, stopping ourselves from becoming our best. We visually identify the consequences of conformity in these two films as the inability to make individual choices. The way in which “modern” society forces conformity so strictly in The Gods Must Be Crazy and Walkabout has helped me to discover a new way of living. As I have grown throughout my first year in college, I have learned to not care what others think. I have been able to overcome my fear of being judged, which has led me to grow intellectually and as a person. The toxicity of conformity in today’s society is apparent to me now, and if others are not willing to see this, we may not be able to advance and adapt to upcoming obstacles. As the true meaning of civilization is uncovered in these films, the question is raised: how will viewers defy the high pressures of social norms and break out of the cage society puts us in?

Works Cited

Bellesheim, Allison. “Walkabout: Where The Wild Things Are.” Taking Giant Steps. Kirpal  

Gordon, 13 Feb. 2017. Web.

Knight, Lindsay. February 12, 2018. Class Discussion.

Morrill, Morgan. “The Ironic Hospitality of the Kalahari Desert” Taking Giant Steps. Kirpal

Gordon, 14 Mar. 2018. Web.

Roeg, Nicolas, director. Walkabout. Twentieth Century Fox, 1971.

Steckl, Carrie. “How Social Norms Affect Our Decisions.” Mental Help Network.

mentalhelp.net, 26 Apr. 2013. Web.

Uys, Jamie, director. The Gods Must Be Crazy. Twentieth Century Fox, 1984.

The Price of Happiness Is Actually Free by Brendan Kaston

What if we lived life in a way in which we did not need to worry about the future, a world where living just meant existing without the stresses of our modern society? That is the existence of Xi in Jamie Uys’ film The Gods Must be Crazy. The Bushmen are living in the harsh Kalahari Desert when one day Western civilization invades his home in the form of a glass Coke bottle, which brings a lot of good to the members of Xi’s tribe. However, it also brings jealousy, anger, and violence (emotions the tribe has never had to face before). Without hesitation, Xi decides to expel the “evil thing” from the earth in order to bring his tribe back to the peaceful way it once was. On his journey, he encounters and explores Western civilization’s hectic ways. However, at the end of his adventure, Xi does not adapt any part of Western culture into his. Xi and the Bushmen make the decision to live without the technology of modern society because they realize that they value real happiness over alleged progress.

 

The tribe’s rejection of the Coke bottle is their rejection of Western society. At first, the Bushmen see the bottle as a gift from the Gods, and the Gods have only given them good things. The Bushmen soon realize that this is not the entirely the positive force they believed it to be. The tribe huddles around the fire silently, dreading what else it will bring. However, the whole tribe comes to the same conclusion: they do not need the “evil thing” that they have grown to depend on. Xi understands that his people have two choices just as primitive societies did: progress or happiness. Our ancestors chose the former, and the world has expanded and been developed into the concrete jungles we call home today. Xi and his tribe make the opposite choice. They value their happiness much more than they value ease of life. While our society may have all the tools to live with minimal effort, many of us are not truly happy with our roles. Many are forced into lackluster jobs in order to make ends meet while monotonous routines drain them until they can no longer feel fulfilled in the workplace. On the other hand, the Bushmen are happy even though they live in one of the most inhospitable locations on the planet. Xi and the other Bushmen appreciated how much easier the bottle made their lives, but that is not why they rejected progress. “They repudiated the jealousy and materialism of the West” (Gordon).

Western society choose the path of progress, and while it has created an amazing world of leisure, it has also created a society that has not stop to smell the roses. Our cities are proof that we could not adapt to living life in nature, so we made nature adapt to us. However, now that we have access to fresh running water and almost any kind of food we could want with a short walk to our refrigerators, humanity has lost its instinctual need to fight to survive. A psychologist, Abraham Harold Maslow, studied human nature and how we address certain needs that are required to have successful and fulfilling lives. “Maslow stated that people are motivated to achieve certain needs and that some needs take precedence over others. Our most basic need is for physical survival, and this will be the first thing that motivates our behavior. Once that level is fulfilled the next level up is what motivates us, and so on” (McLeod, par. 2).

The problem is that Western society has overcome our basic needs, making our foundation much smaller and weaker. Without having to work too hard for food, water, or shelter, we see our psychological needs as basic needs for happiness. Tirelessly working each and every day makes us, “crack under the constant pressure of the routine monotony of modern life” (Knight). That is why Kate, the journalist, decides to move out to the small Botswanan village in order to teach (Uys 0:25:53). While she is looking for something different, she is also unhappy with the state of her life. By moving to the Botswanan village, she is able to reinvigorate herself. She has students to care for; she meets Andrew, her eventual love interest; and she reaches self-actualization by immersing herself in the locals’ way of life. Kate’s transition proves that distancing oneself from the constant stressors of Western civilization can increase one’s quality of life.

While some may argue that Kate’s eventual happiness would not bloom as it did in the film, it has been proven to work. Henry David Thoreau was a naturalist who decided to seclude himself from modern American society in 1845. He understood that the path to a greater understanding of our life on earth is through an understanding of the natural world around us and of which we are part:

We can never have enough of nature. We must be refreshed by the sight of inexhaustible vigor, vast and Titanic features, the sea-coast with its wrecks, the wilderness with its living and its decaying trees, the thunder cloud, and the rain which lasts three weeks and produces freshets. We need to witness our own limits transgressed, and some life pasturing freely where we never wander — I suppose that what in other men is religion is in me love of nature (http://www.walden.org/thoreau/ par. 4).

His experience in the woods mirrors the lives of the native people of the Kalahari. Nature is a magical gift to them as it should be to all who are willing to stop and open their senses. Life may not be as easy when one immerses themselves in nature; however, one is able to focus on what is truly important to them without the distractions of never ending deadlines and repetitious routines. In Walden he writes, “Simplicity, simplicity, simplicity! I say, let your affairs be as two or three, and not a hundred or a thousand; instead of a million count half a dozen, and keep your accounts on your thumb-nail” (Thoreau 82). Thoreau is praising the simple life. He discovered that the hustle and bustle of modern life made a formula for stress and unhappiness, a formula that he rejected in order to find his own happiness.

The Bushmen are content with their lives no matter how difficult things may be. They see their way of life as complete without technology. They work hard to survive, and they are happy to be a part of the tribe. This contrast with modern society is shown in our levels of stress and overall happiness:

Modern society equals fullness with meaning so if schedules are always booked then life must be wonderful. A busy schedule blocks and shoves down unpleasant feelings brought on by difficult to answer questions. Those feelings, however, do not go away, but instead manifest themselves in the rampant outbreak of depression. This is why the Bushmen’s freedom is so important; they have the time to reflect and engage with tough topics. It is not as though they are always having deep philosophical discussions, but they are able to if need be (Morrill par. 7).

The Bushmen’s minds are sounder due to their natural lifestyle. They think clearly about whatever obstacles or issues are thrown, or dropped, their way. When one of the most important life changing tools falls to their feet they are able to think rationally about the pros and cons of having such power. The Bushmen decided that while progress may make their lives easier, it would not make them happier.

The Bushmen who are seen as primitive compared to industrialized western society are actually much wiser than their stressed-out neighbors. They understand the importance of living in the moment. In their eyes God has given them all they need, and they are eternally grateful. The bottle was a test, one which they believed they passed. Xi’s decision to throw the bottle off the end of the earth was accepted by the whole community because their tribe’s values are different then ours: they value happiness over easiness. Until our culture can choose peace of mind over higher productivity, we will never self-actualize like the Bushmen of the Kalahari Dessert.

Works Cited

               Gordon, Paul Kirpal. Class Discussion. April 4, 2018.

“Henry David Thoreau.” The Walden Woods Project, www.walden.org/thoreau/.

Knight, Lindsay. Class Discussion. February 12, 2018.

Mcleod, Saul. “Maslow's Hierarchy of Needs.” Simply Psychology, Simply Psychology,

2017, www.simplypsychology.org/maslow.html.

Morrill, Morgan. “The Ironic Hospitality of the Kalahari Desert.” Taking Giant Steps

Press, Paul Kirpal Gordon, 14 Mar. 2018, giantstepspress.blogspot.com/search?q=the+ironic+hospitality.

Thoreau, Henry David, 1817-1862. Walden; And, Resistance to Civil Government:

Authoritative Texts, Thoreau's Journal, Reviews, and Essays in Criticism. New York: Norton, 1992. Print.

Uys, Jamie, director. The Gods Must Be Crazy. Perf. N!xau, Marius Weyers, and Sandra

Prinsloo. 20^th Century Fox., 13 July. 1984. Film.

“Where I Lived and What I Lived For, a Chapter in Walden by Henry David

Thoreau.” truecharecteinnature.weebly.com/where-i-lived-and-what-i-lived-for-a-chapter-in-walden-by-henry-david-thoreau.html.

A Life Worth Living: Reflections on "The Gods Must Be Crazy" by Danny Giancioppo

The sun peeked through the trees, and birds chirped softly against the whistling wind as the last of the long, August days came to a close. My chest rose and fell heavily, as my eyes slowly but surely fogged up with warm and stinging tears. My voice trembled, my hands shook, and I stared right at my best friend, feeling exactly the same way, as we attempted to find the words to say goodbye for the first time in our lives. We would see each other again, and talk on the phone almost every day, but we still knew that this was the end of a chapter in our lives. So, as I mustered the strength, I told him he was my best friend in life, I loved him like a brother, and I’d miss him, and he said the same; the beautiful sadness of course was that we felt such grief then due to equally positive, if not more powerful, experiences in our past. It was this ability to love one another, even simply as friends, that so much raw emotion could arise, as well as so much good being done for one another. Looking back, I realize that this is the case in so many other scenarios, not the least of which is Jamie Uys’s The Gods Must Be Crazy. Whether it was Steyn, Kate, Mpudi, or even just Xi with all living things, they provided irrefutable evidence in their words and actions that love is not only a driving force for goodness, but a powerful enemy to evil, and through its strength one can find a life truly worth living.

It’s almost too glaringly obvious to say that there are good guys and bad guys in this movie, but the more interesting fact to explore is the way in which the characters are depicted as members on polar ends of the spectrum. The Kalahari Bushmen are characterized as being “pretty, dainty, small and graceful” (Uys, 1:33). They know only peace and an unselfish love for most, if not all, living things around them. They allow time for conversation, leisurely activities, and even when they work, they do so both happily and cooperatively. Additionally, when the Coke bottle falls to the earth and disrupts this contented and fulfilling lifestyle, the Bushmen know enough, and more specifically love one another enough, to openly discuss their issues with this “evil thing” and decide to be rid of it. This purity they share, and the strength found within it, is more than enough to combat the nefarious Coke bottle, and achieve their goal of removing it from the earth. Alternatively, however, those without such kind-hearted emotions come to less than positive outcomes.

Sam Boga, arguably the most blatant and dangerous antagonist of the film, holds very little love in his heart, at least when viewed through the perspective of how he treats those around him. Whether it be those who he crosses paths with, the children he takes hostage, or even the very men working for him, Sam Boga is consistently unhappy, shouting and barking orders in an almost crazed sort of tone. His disregard for the lives of essentially everyone other than himself leads to his ultimate downfall. In fact, it is because of the love the other characters share for one another, even in a general sense, that they are able to outwit Sam Boga. Kate’s devotion to keeping her students safe as well as Steyn, Mpudi, and Xi’s need to save both Kate and the students and their general trust in and care for each other allows them to overcome the ferocity of Sam Boga and his criminal underlings. Even relationships that are not perfect, such as Steyn and Kate, for instance, can maintain a level of love which defeats the thought that isolation is key. I would know.

My car came to a puttering halt, and as I unbuckled, and turned to face my oldest friend, who had been my neighbor since birth, I felt my stomach doing flips and swirls the likes of which would make a roller coaster seem like a carousel. We stepped outside, the stars shining through a clear August sky, and despite the warmth the night still provided, I could feel a bitter chill with my every move. For the first time in our lives, he and I hugged and promised we would see each other again soon. I told him he was my brother; not that he was like a brother, but that he was my brother. I was always the more openly emotional of the two of us, so he didn’t say much, but from what he did and from what I could see, I knew the feeling was mutual. And as I rode back to my friend’s house, where we had left just minutes before, I felt the same kind of sweet sting I’d feel in departing my best friend weeks later.

My mom once said to me: “You’re so close with the other guys, you hardly ever fight, but you and [my oldest friend] always argue. How can you say you’re really that close?” (Giancioppo, 2016). I understood her trepidation, but as I’d always tell her, close friends don’t argue that much, but brothers always bother each other and they always get over it. We fought all our lives, and constantly had ups and downs; we had periods of time where we would not want to even see each other, let alone talk. Sometimes it was my fault, other times his, and some issues were more serious than others, but all the same, despite almost everyone claiming disbelief we would ever fix things, we always did. We loved each other, even with all the complications through the road we walked, because we walked through it together. We always made things better, and better was always good enough to keep an almost nineteen-year friendship going strong. Yet, despite better being just that, good enough, it seems that for society as a whole, it never can be. Instead, the world strives for perfection through cultural conformity, and in that search finds only reluctance, emptiness, a lack of love, and thusly, a lack of strength.

As Morgan Morrill explained in her own essay, “The Ironic Hospitality of the Kalahari Desert,” society, or rather the “industrialized world,” is going through a “happiness famine” (Morrill, Par. 5). She states that even smiles are few and far between in the modern world, whereas the Kalahari Bushmen are living a much more joyful, albeit simpler kind of life. Morrill goes on to provide statistics of the rising rate of diagnosed individuals suffering with depression in the United States alone, and she claims it’s highly due to the stress humanity puts upon itself to further society rather than their own necessities in life. With such a lack of empathy and such a focus on success and progress, we allow ourselves neither the time nor the love for what really matters in this world: each other. “No wonder some people go off the rails a bit” (Uys, 8:08).

Speaking of going off the rails, the rather disconnected members of society in Nicolas Roeg’s Walkabout share a strikingly similar mindset. Morrill suggests that not only the urbanized members of The Gods Must Be Crazy do, but that many of us in the real world do as well. The father of the two children, who is arguably the most far gone of any character in the film, has such a distinct lack of love for his children, it’s painfully obvious: inappropriate glances at his daughter, attempting to kill both her and his son, and then taking his own life, all within a matter of minutes! Alternatively, the hunter, brother, and sister all come to care quite deeply for each other. Through this devotion to one another, they are able to travel a great distance, learn a great deal, and survive the dangers of the outback, all while forming a strong bond, and even enjoying themselves throughout. To be certain, this idea of love---and with that, a lack of it---carries over in a number of scenes and only exemplifies the power it may hold in either direction.

Life can be hard, and there is no getting around that. It can feel so easily like it gives more than it takes, and it is much easier to just fall into autopilot and leave emotion out of the equation altogether just to get by. However, if you allow yourself to open your heart and see the virtue in true love---not just romantic but familial and platonic as well---the world and those within it may in turn open themselves up to you. Just as Xi, a leader of the Bushmen, does with all he comes across, we too can use the power of love to drive us toward a better, more fulfilling life. So far as I’m concerned, doing so in my own life has brought me more than I could ever have asked for; it has given me a life worth living, filled with people worth loving. Not only has it made me a stronger person, but more importantly, loving has made me a better person more than any kind of hate or ignorance ever could. After all, better may not be perfect, but it’s good enough, and good enough is better than a life without love to begin with. When you carry such strength, you may find that’s all you ever need things to be: good enough.

Aaron Frongillo and author Danny Giancioppo

Works Cited

Giancioppo, Karen. Conversation. 2016.

Morrill, Morgan. “The Ironic Hospitality of the Kalahari Desert.” 

Taking Giant Steps. N.p., 14 Mar. 2018.

Roeg, Nicolas, Dir. Walkabout. 20th Century Fox, 1971, 

www.youtube.com/watch?v=MxdBpLQsOW8

Uys, Jamie, Dir. The Gods Must Be Crazy. 20th Century Fox, 1980.