Saturday, September 19, 2026

 


Three poems from Peter Manos' To the Survivors


To the Survivors

 

“Wait without hope….”

          TS Eliot

 

I stand in front of the museum’s diorama

looking at the exact replica of footprints

 

the two of you made in the mud

while walking away from a volcano.

 

Fossilized in the eruptions’ ashes, they

show the path you took in Tanzania

 

thirty-five thousand centuries ago

and your footprints let us know

 

that the two of you walked side by side,

away from the volcano, standing upright.

 

We have no idea, as a factual matter

how accurately the scientists’ statues

 

represent what you looked like,

and your hairy ape-like nakedness

 

makes group after group of kids giggle

as they pass by on their class trips

 

but in the silences between their passages

I imagine we inhabit a sacred sanctuary

 

where I’m praying thankfully through

your statues, seeing past abstractions

 

and past scientific whys or wherefores

and past the volcanic calamity

 

to find something iconic

through this diorama.

 

I want to give you praises and thanks

and want to ask you many questions.

 

Thank you for standing upright

in the face of that vast calamity!

 

Thank you for your having passed!

Did doubts surround you, or reassurance

 

from feeling something resembling hope?

Whether it was hope or fear, what you had spans

 

Vast expanses after you, past eons

interlaced with successions of successes—

 

past millions of years of other unimaginable

calamities, and past stone-on-stone banging

 

and impossible accomplishments

like inventing the wheel or discovering fire—

 

past back-filling such acts as if the endless

train of painful failures were not in play—

 

as if unexpected successes were intentional

or stemmed from selfless efforts of inventors

 

or went with ongoing over-the-shoulder-

goading from some neolithic Jiminy Crickets

 

rather than passionate adamant irrationality

as the key to our species having adapted

 

we opt for optimism versus pessimism instead

or customary dichotomies to wallow in

 

not knowing what we owe you—

you who found or misplaced hope or fear

 

and, having never given up on waiting,

passed as we passed, and pass, and will pass.

 

 *** 

 

 

Pinnacle Point, South Africa

 

In the past if you had asked me which aspects of human nature I’d take to be the main keys to our species’ survival, I’d have highlighted high-minded ideals of certain men and women from our last couple of millennia. But that’s not enough for me anymore. Now, I would also include a view further back, because of crucial clues to who we are as human beings, given how close our species came to being completely wiped out around 160,000 BC, during an ice age.

 

Studies of Pinnacle Point, on Africa’s southern coast, show where our forebears may have taken safe haven from the glaciers’ devastation, in caves by the shore, near dense, edible vegetation, and clam beds. Evidence showing that better weapons were invented at Pinnacle Point has led to the theory that cooperativeness and competitiveness evolved to higher levels in us together, when our ancestors learned to defend their settlement’s precious, denser food supplies, by fighting in ruthless unison, better than the scattered nomadic hunter-gatherers of the past. Our great-great-grandmothers and grandfathers bridged this difficult gap back then, surviving the crisis and expanding beyond Africa by dominating all other hominids and then decimating predators on every continent.

 

We now cooperate and compete at high levels in how we buy and sell and work and go at it with games and sports and wars with each other, since with our conquests of all our competitors having ended, we are left competing against each other. And we are left with a certain human mind, a mind that finds it hard to bridge the gap back and see our species’ being here at all may have always been closer to impossible than certain.

 

Yet the word “certain” itself bridges this gap back, given what we are saying when we say the word “certain” this certain way: “Specific but not specified.”

 

Bridging this gap back in our species’ history, I specify the most uncertain ones. Before those who survived in one cave or another, I especially specify those who gave up the ghost before people had names. I specify them because they saw something our species lost when we wrapped ourselves up in our comfortable claim of dominion.

 

After Africa, we abandoned the Unfathomable. But our ancestors survived unimaginable calamities and catastrophes, standing upright in the face of ages of ages of uncertainties, shamelessly unaided by any explanation greater than their own naked existence. They survived life on a precipice—the same precipice which we’ve been unsettled over ever since. Restless. Owing to their settlement.

 

I mean we may only start to settle up, once we stop calling what we have been calling awe “awe,” when we only experience convenient, known, low, doses of it, between now and the moment before we give up the ghost. I mean the moment in which each of us may see that our being here at all may have always been closer to impossible than certain. I mean at a certain uncertain point. Like Pinnacle Point. The pivotal point.

________________________________________________

Inspired by the July 2015 article in Scientific American, "Clues to How Homo sapiens Conquered Earth Emerge from Digs in South Africa," by Dr. Curtis Marean


*


Sandpiper Surmise


Along the shore

a sandpiper

scuttles back and forth

with each set of waves

and each group

of humans going by.

My mind

along for the ride

is unduly self-satisfied

conjecturing

for a documentary

nobody but it is in:

“She survived

from the time

of the dinosaurs.”

At this pointless point

I finally stop trying to see

what tiny things

she might be eating

with her pointy beak

so fine

I see I

only surmise only

survivors make survivors.




Saturday, August 29, 2026

India Meets New Orleans in Kirpal Gordon's Go Ride the Music

 

Ganga Ghosh, a jazz singer in Varanasi, India, hears pianist Ghost Wakefield on her radio. She stays up all night enchanted by his playing. Although it’s shut off, her radio tells her, “Go ride the music,” setting into motion these three interlocking stories: Ganga and Ghost meet in San Miguel de Allende, Mexico; they build a duet in New York, then discover during a tour of the South that Ganga channels, through Ghost's haunted, New Orleans-flavored introductions, the voice and presence of Billie Holiday, Lena Horne and the other immortals she impersonates on stage. It’s a gift she returns to Ghost in a most unusual way and at a most opportune hour.

 

 

From Go Ride the Music by Kirpal Gordon

 


For more on the book: Go Ride the Music: Gordon, Kirpal: 9781508453154: Amazon.com: Books

 


For more on the author: Kirpal Gordon – GIANT STEPS PRESS

 

Wednesday, August 26, 2026

John Rullo's apocalyptic Planet Love


Sci-fic fiction from John Rullo that grows truer by the day:

 

Planet Love opens on a cold winter evening at a Long Island Open Mic. John is a member of the house band known as The Cocktails, and after backing up Big Vinnie on a cover of Dylan’s “All Along the Watchtower,” Vinnie tells John about his encounter with a UFO. Although John is skeptical, he soon experiences a visit from a supernatural entity that overwhelms him and turns his life inside out. Just when he thinks he has seen the full picture, a string of events unfold that leads to both the end of the world as he knew it and his role in Earth’s rebirth. Based upon real life events, Planet Love’s story of hope, intrigue and mystery speaks to our everlasting search for the ground of our being and our unity with all life.

 

From Planet Love: The End of the World as We Knew It by John Rullo

 

For more on the book:

Planet Love:The End of the World as We Knew It: Rullo, John: 9780615475806: Amazon.com: Books

 


For more on John Rullo: John Rullo – GIANT STEPS PRESS

 


Tuesday, August 25, 2026

Jim Cohn's ode to a field of sunflowers

 

The Sunflower Fields of Manitoba

 

The sunflower fields of Manitoba

Show me that each & every heart must bow

            From the weight of its own light.

 

Manitoba

(Undated, early 1980s

 

From Treasures for Heaven: Collected Poems 1976-2021 by Jim Cohn

 


For more on the book: Treasures for Heaven: Collected Poems: 1976-2021: Cohn, Jim: 9781958266007: Amazon.com: Books

 

For more on Jim Cohn: Jim Cohn – GIANT STEPS PRESS




Monday, August 24, 2026

William Seaton's touch of Borges: "Perhaps I am a video game"

 

Perhaps I am a video game

and someone is playing me,

with a small lever

moving me deftly right and left.

“Perhaps,” I said to Patricia

“we are competitors,

well, not us, but our operators.”

Suddenly I felt I had lost

forty points and still the game

rolled inexorably on.

It would not be so bad, perhaps,

if I knew some being somewhere

was doing it all:

trying to avoid disease monsters

and self-flagellation

and ugly ego pits

and seeking on the other hand

to accumulate wisdom

and money and the taste

of fresh berries -- ah! --

and thrills and love-kisses

and the premium prize

a quiet lake in the mind.

 

 

From Planetary Motions by William Seaton



 

For more on the book: Planetary Motions: Seaton, William: 9798696999210: Amazon.com: Books

 


For more on William Seaton: William Seaton – GIANT STEPS PRESS

 

For more on his blog: Poetry on the Loose



Saturday, August 22, 2026

Steven L. Hirsch's "Train to the End of The World"

 

Train to The End of The World

 

Metro North platform like a wailing wall

survivors stand heads bowed waiting

for the train to the end of the world.

 

Parking lot now half-filled, yellow ribbons tied to antennae on cars

abandoned

by commuters who never came home.

 

Crematorium ash drifts uptown on a sour wind, the migraine that wouldn’t quit.

The bond trader back at her desk by 7 AM the next morning

gags on a buttered roll.

 

Root canal of city tooth labyrinth

Vicodin sway trance across 7th Ave.

holding my jaw in a numb jut.

 

I hop the “N” 2 stops to 49th

Stare at sheet music in Colony’s window

avoid the office a few more minutes.

 

A hollow echo down the tube

as the falling column roars

here I am boarding the train to the end of the world.

 

The PATH is rough, flooded and treacherous.

Fly a flag, wave a knife, steal a plane, sift gray mud for body parts.

Busy desk a mountain of rubble, recession’s blinders on.

 

Will I reach the promised land with my children?

Will I accomplish the thought, word and deed, voice of peace and security?

Will the tassle be torn from my shoe, jammed under the

opposing seat of this foursome?

 

Will I be late for that early meeting?

Is my beeper dead? Is my Palm Pilot alive

where I have crashed?

Lights flicker and rails squeal past Christopher St.

 

9/2001

[Originally published online in Napalm Health Spa: Report 2002]


From Demon Commuter and Other Poems by Steven L. Hirsch

 



For more on the book: Demon Commuter: Hirsch, Steven L: 9781958266038: Amazon.com: Books



For more on Steven L. Hirsch: Steven L. Hirsch – GIANT STEPS PRESS

Wednesday, August 19, 2026

Nine Lines by David Cope: "Seven a.m.: Buffing the Floor"

 



Seven a.m.: Buffing the Floor

 

looking up, a boy’s at the door,

blood streaming thru his hands,

scalp laid open---numbchucks.

no, he didn’t know who did it.

                   on the nurse’s bed,

                   coldpack on his head . . .

he had to get out of there,

staggered to the door

didn’t want to talk to no cops.

 

 


From Moonlight Rose in Blue: Collected Poems 1971-2024 by David Cope, published by Grand River Poetry Press (Grand River Poetry Collective).

 

For more on the book: Moonlight Rose in Blue: Collected Poems 1971-2024: Cope, David: 9781968226008: Amazon.com: Books

 

For more on David Cope: David Cope – GIANT STEPS PRESS