𝑰𝒏 𝑳𝒐𝒗𝒆 𝒘𝒊𝒕𝒉 𝒕𝒉𝒆 𝑩𝒊𝒈 𝑨𝒑𝒑𝒍𝒆 | 𝑾𝒊𝒍𝒍𝒊𝒂𝒎 𝑺𝒆𝒂𝒕𝒐𝒏 𝑰𝒏𝒕𝒆𝒓𝒗𝒊𝒆𝒘𝒔 𝑨𝒖𝒕𝒉𝒐𝒓 𝑲𝒊𝒓𝒑𝒂𝒍 𝑮𝒐𝒓𝒅𝒐𝒏 𝒐𝒏 𝑵𝒆𝒘 𝒀𝒐𝒓𝒌 𝒂𝒕 𝑻𝒘𝒊𝒍𝒊𝒈𝒉𝒕

William Seaton recently sat down with Kirpal Gordon to dive deep into the inspiration, creativity, and mystique behind 𝘕𝘦𝘸 𝘠𝘰𝘳𝘬 𝘢𝘵 𝘛𝘸𝘪𝘭𝘪𝘨𝘩𝘵.

Take a moment to read the full interview and join us as we explore the spellbinding blend of art and life that is 𝘕𝘦𝘸 𝘠𝘰𝘳𝘬 𝘢𝘵 𝘛𝘸𝘪𝘭𝘪𝘨𝘩𝘵.

𝑰𝒏 𝑳𝒐𝒗𝒆 𝒘𝒊𝒕𝒉 𝒕𝒉𝒆 𝑩𝒊𝒈 𝑨𝒑𝒑𝒍𝒆:

𝑾𝒊𝒍𝒍𝒊𝒂𝒎 𝑺𝒆𝒂𝒕𝒐𝒏 𝑰𝒏𝒕𝒆𝒓𝒗𝒊𝒆𝒘𝒔 𝑨𝒖𝒕𝒉𝒐𝒓 𝑲𝒊𝒓𝒑𝒂𝒍 𝑮𝒐𝒓𝒅𝒐𝒏 𝒐𝒏 𝑵𝒆𝒘 𝒀𝒐𝒓𝒌 𝒂𝒕 𝑻𝒘𝒊𝒍𝒊𝒈𝒉𝒕

𝚆̲𝙸̲𝙻̲𝙻̲𝙸̲𝙰̲𝙼̲ 𝚂̲𝙴̲𝙰̲𝚃̲𝙾̲𝙽̲: 𝙰 𝚐𝚕𝚊𝚗𝚌𝚎 𝚊𝚝 𝚢𝚘𝚞𝚛 𝚋𝚒𝚘 𝚜𝚑𝚘𝚠𝚜 𝚝𝚑𝚊𝚝 𝚢𝚘𝚞 𝚑𝚊𝚟𝚎 𝚋𝚎𝚎𝚗 𝚊𝚛𝚘𝚞𝚗𝚍, 𝚊𝚛𝚘𝚞𝚗𝚍 𝚝𝚑𝚎 𝚌𝚘𝚞𝚗𝚝𝚛𝚢 𝚊𝚗𝚍 𝚊𝚛𝚘𝚞𝚗𝚍 𝚝𝚑𝚎 𝚠𝚘𝚛𝚕𝚍, 𝚢𝚎𝚝 𝚏𝚛𝚘𝚖 𝚝𝚑𝚎 𝚝𝚒𝚝𝚕𝚎 𝚘𝚗, 𝚝𝚑𝚒𝚜 𝚋𝚘𝚘𝚔 𝚒𝚜 𝚍𝚎𝚎𝚙𝚕𝚢 𝚛𝚘𝚘𝚝𝚎𝚍 𝚒𝚗 𝙽𝚎𝚠 𝚈𝚘𝚛𝚔 𝙲𝚒𝚝𝚢 𝚊𝚜 𝚊 𝚜𝚙𝚎𝚌𝚒𝚏𝚒𝚌 𝚕𝚘𝚌𝚊𝚝𝚒𝚘𝚗. 𝙲𝚘𝚞𝚕𝚍 𝚢𝚘𝚞 𝚌𝚘𝚖𝚖𝚎𝚗𝚝 𝚘𝚗 𝚠𝚑𝚊𝚝 𝚝𝚑𝚎 𝚌𝚒𝚝𝚢 𝚖𝚎𝚊𝚗𝚜 𝚝𝚘 𝚢𝚘𝚞𝚛 𝚠𝚘𝚛𝚔?

𝙺̲𝙸̲𝚁̲𝙿̲𝙰̲𝙻̲ 𝙶̲𝙾̲𝚁̲𝙳̲𝙾̲𝙽̲: 𝚃𝚑𝚎 𝚋𝚘𝚘𝚔 𝚒𝚜 𝚊 𝚕𝚘𝚟𝚎 𝚜𝚘𝚗𝚐 𝚝𝚘 𝚝𝚑𝚎 𝙱𝚒𝚐 𝙰𝚙𝚙𝚕𝚎, 𝚠𝚑𝚎𝚛𝚎 𝙸 𝚠𝚊𝚜 𝚋𝚘𝚛𝚗 𝚊𝚗𝚍 𝚛𝚊𝚒𝚜𝚎𝚍 𝚊𝚗𝚍 𝚌𝚞𝚛𝚛𝚎𝚗𝚝𝚕𝚢 𝚛𝚎𝚜𝚒𝚍𝚎. 𝚃𝚑𝚎 𝚜𝚙𝚎𝚌𝚒𝚏𝚒𝚌 𝚕𝚘𝚌𝚊𝚝𝚒𝚘𝚗𝚜 𝚏𝚘𝚛 𝚎𝚊𝚌𝚑 𝚝𝚊𝚕𝚎 𝚊𝚛𝚎 𝚗𝚎𝚒𝚐𝚑𝚋𝚘𝚛𝚑𝚘𝚘𝚍𝚜 𝙸’𝚟𝚎 𝚔𝚗𝚘𝚠𝚗 𝚝𝚑𝚛𝚘𝚞𝚐𝚑𝚘𝚞𝚝 𝚝𝚑𝚎 𝚏𝚒𝚟𝚎 𝚋𝚘𝚛𝚘𝚞𝚐𝚑𝚜. 𝚃𝚑𝚎 𝚌𝚑𝚊𝚛𝚊𝚌𝚝𝚎𝚛𝚜 𝚌𝚘𝚗𝚏𝚛𝚘𝚗𝚝 𝚌𝚛𝚊𝚣𝚢 𝚎𝚟𝚎𝚗𝚝𝚜 𝚝𝚑𝚊𝚝 𝚌𝚘𝚞𝚕𝚍 𝚘𝚗𝚕𝚢 𝚓𝚞𝚖𝚙 𝚘𝚏𝚏 𝚒𝚗 𝚝𝚑𝚒𝚜 𝚌𝚒𝚝𝚢, 𝚋𝚞𝚝 𝚝𝚑𝚎𝚒𝚛 𝙶𝚘𝚝𝚑𝚊𝚖 𝚜𝚔𝚒𝚕𝚕𝚜—𝚠𝚒𝚝, 𝚐𝚛𝚒𝚝, 𝚋𝚒𝚐 𝚑𝚎𝚊𝚛𝚝, 𝚘𝚙𝚎𝚗 𝚖𝚒𝚗𝚍—𝚝𝚞𝚛𝚗 𝚌𝚊𝚕𝚊𝚖𝚒𝚝𝚢 𝚒𝚗𝚝𝚘 𝚘𝚙𝚙𝚘𝚛𝚝𝚞𝚗𝚒𝚝𝚢. 𝙽𝚎𝚠 𝚈𝚘𝚛𝚔’𝚜 𝚑𝚒𝚜𝚝𝚘𝚛𝚢, 𝚏𝚛𝚘𝚖 𝚝𝚑𝚎 𝟷𝟿𝟼𝟶𝚜 𝚝𝚘 𝚗𝚘𝚠, 𝚐𝚎𝚝𝚜 𝚒𝚗𝚝𝚘 𝚝𝚑𝚎 𝚊𝚌𝚝𝚒𝚘𝚗 𝚊𝚗𝚍 𝚒𝚗𝚏𝚕𝚞𝚎𝚗𝚌𝚎𝚜 𝚘𝚞𝚝𝚌𝚘𝚖𝚎𝚜. 𝚂𝚘 𝚝𝚘𝚘 𝚒𝚝𝚜 𝚐𝚎𝚘𝚐𝚛𝚊𝚙𝚑𝚢 𝚊𝚗𝚍 𝚒𝚝𝚜 𝚙𝚘𝚎𝚝𝚜.

𝚆̲𝙸̲𝙻̲𝙻̲𝙸̲𝙰̲𝙼̲ 𝚂̲𝙴̲𝙰̲𝚃̲𝙾̲𝙽̲: 𝚈𝚘𝚞𝚛 𝚗𝚊𝚛𝚛𝚊𝚝𝚒𝚟𝚎𝚜 𝚙𝚛𝚎𝚜𝚎𝚗𝚝 𝚊 𝚜𝚞𝚋𝚝𝚕𝚎 𝚋𝚕𝚎𝚗𝚍 𝚘𝚏 𝚝𝚑𝚎 𝚘𝚛𝚍𝚒𝚗𝚊𝚛𝚢 𝚊𝚗𝚍 𝚝𝚑𝚎 𝚎𝚡𝚝𝚛𝚊𝚘𝚛𝚍𝚒𝚗𝚊𝚛𝚢, 𝚢𝚎𝚝 𝚢𝚘𝚞𝚛 𝚝𝚘𝚗𝚎 𝚒𝚜 𝚊𝚕𝚝𝚘𝚐𝚎𝚝𝚑𝚎𝚛 𝚍𝚒𝚏𝚏𝚎𝚛𝚎𝚗𝚝 𝚏𝚛𝚘𝚖 𝚠𝚑𝚊𝚝 𝙸 𝚔𝚗𝚘𝚠 𝚘𝚏 𝙻𝚊𝚝𝚒𝚗 𝙰𝚖𝚎𝚛𝚒𝚌𝚊𝚗 “𝚖𝚊𝚐𝚒𝚌 𝚛𝚎𝚊𝚕𝚒𝚜𝚖.” 𝙲𝚘𝚖𝚖𝚎𝚗𝚝 𝚘𝚗 𝚝𝚑𝚎 𝚊𝚛𝚝𝚒𝚌𝚞𝚕𝚊𝚝𝚒𝚘𝚗 𝚘𝚏 𝚝𝚑𝚎 𝚖𝚞𝚗𝚍𝚊𝚗𝚎 𝚊𝚗𝚍 𝚝𝚑𝚎 𝚖𝚊𝚛𝚟𝚎𝚕𝚘𝚞𝚜 𝚒𝚗 𝚢𝚘𝚞𝚛 𝚠𝚘𝚛𝚔.

𝙺̲𝙸̲𝚁̲𝙿̲𝙰̲𝙻̲ 𝙶̲𝙾̲𝚁̲𝙳̲𝙾̲𝙽̲: 𝚃𝚑𝚘𝚜𝚎 𝙻𝚊𝚝𝚒𝚗 𝙰𝚖𝚎𝚛𝚒𝚌𝚊𝚗 𝚠𝚛𝚒𝚝𝚎𝚛𝚜 𝚊𝚛𝚎 𝚝𝚑𝚛𝚒𝚕𝚕𝚒𝚗𝚐 𝚝𝚘 𝚛𝚎𝚊𝚍. 𝚃𝚑𝚎𝚒𝚛 𝚜𝚝𝚘𝚛𝚒𝚎𝚜 𝚠𝚎𝚊𝚟𝚎 𝚝𝚑𝚎 𝚗𝚘𝚗-𝚛𝚊𝚝𝚒𝚘𝚗𝚊𝚕 𝚎𝚕𝚎𝚖𝚎𝚗𝚝𝚜 𝚘𝚏 𝚘𝚞𝚛 𝚙𝚜𝚢𝚌𝚑𝚎𝚜—𝚍𝚛𝚎𝚊𝚖𝚜, 𝚐𝚑𝚘𝚜𝚝𝚜, 𝚖𝚒𝚛𝚊𝚌𝚕𝚎𝚜, 𝚘𝚖𝚎𝚗𝚜, 𝚜𝚒𝚐𝚗𝚜, 𝚌𝚞𝚛𝚜𝚎𝚜, 𝚟𝚒𝚜𝚒𝚝𝚊𝚝𝚒𝚘𝚗𝚜 𝚊𝚗𝚍 𝚘𝚝𝚑𝚎𝚛 𝚍𝚒𝚖𝚎𝚗𝚜𝚒𝚘𝚗𝚜 𝚘𝚏 𝚋𝚎𝚒𝚗𝚐—𝚒𝚗 𝚏𝚊𝚜𝚌𝚒𝚗𝚊𝚝𝚒𝚗𝚐 𝚠𝚊𝚢𝚜. 𝚃𝚑𝚘𝚜𝚎 𝚜𝚙𝚒𝚛𝚒𝚝 𝚊𝚕𝚕𝚒𝚎𝚜/𝚖𝚊𝚗𝚒𝚏𝚎𝚜𝚝𝚊𝚝𝚒𝚘𝚗𝚜 𝚕𝚘𝚘𝚜𝚎𝚗 𝚝𝚑𝚎 𝚋𝚘𝚛𝚍𝚎𝚛 𝚋𝚎𝚝𝚠𝚎𝚎𝚗 𝚝𝚑𝚎 𝙸𝚗𝚍𝚒𝚐𝚎𝚗𝚘𝚞𝚜 𝚊𝚗𝚍 𝚝𝚑𝚎 𝚏𝚘𝚛𝚎𝚒𝚐𝚗 𝚖𝚒𝚗𝚍𝚜𝚎𝚝, 𝚋𝚎𝚝𝚠𝚎𝚎𝚗 𝚝𝚑𝚎 𝚕𝚒𝚟𝚒𝚗𝚐 𝚊𝚗𝚍 𝚝𝚑𝚎 𝚍𝚎𝚊𝚍, 𝚋𝚎𝚝𝚠𝚎𝚎𝚗 𝚗𝚘𝚠 𝚊𝚗𝚍 𝚝𝚑𝚎𝚗. 𝙸 𝚝𝚑𝚒𝚗𝚔 𝚝𝚑𝚊𝚝’𝚜 𝚝𝚑𝚎 𝚑𝚎𝚊𝚕𝚒𝚗𝚐 𝚐𝚒𝚏𝚝 𝚘𝚏 𝚖𝚊𝚐𝚒𝚌𝚊𝚕 𝚛𝚎𝚊𝚕𝚒𝚜𝚖. 𝙰𝚕𝚕 𝚝𝚑𝚛𝚎𝚎 𝚌𝚞𝚕𝚝𝚞𝚛𝚎𝚜—𝙴𝚞𝚛𝚘𝚙𝚎𝚊𝚗, 𝙰𝚏𝚛𝚒𝚌𝚊𝚗 𝚊𝚗𝚍 𝙽𝚊𝚝𝚒𝚟𝚎—𝚙𝚕𝚊𝚢 𝚊 𝚙𝚊𝚛𝚝.

𝙰𝚜 𝚏𝚘𝚛 𝙽𝚎𝚠 𝚈𝚘𝚛𝚔 𝚊𝚝 𝚃𝚠𝚒𝚕𝚒𝚐𝚑𝚝, 𝚝𝚑𝚎 𝚌𝚑𝚊𝚛𝚊𝚌𝚝𝚎𝚛𝚜 𝚏𝚒𝚗𝚍 𝚝𝚑𝚎𝚒𝚛 𝚋𝚘𝚛𝚍𝚎𝚛𝚜 𝚕𝚘𝚘𝚜𝚎𝚗𝚒𝚗𝚐 𝚝𝚘𝚘. 𝙳𝚒𝚟𝚊, 𝚍𝚎𝚝𝚎𝚌𝚝𝚒𝚟𝚎, 𝚖𝚞𝚜𝚒𝚌𝚒𝚊𝚗, 𝚜𝚝𝚞𝚍𝚎𝚗𝚝, 𝚓𝚘𝚞𝚛𝚗𝚊𝚕𝚒𝚜𝚝, 𝚝𝚑𝚎𝚛𝚊𝚙𝚒𝚜𝚝, 𝚌𝚘𝚖𝚖𝚞𝚝𝚎𝚛, 𝚛𝚎𝚟𝚘𝚕𝚞𝚝𝚒𝚘𝚗𝚊𝚛𝚢, 𝚜𝚝𝚛𝚎𝚎𝚝𝚠𝚊𝚕𝚔𝚎𝚛, 𝚜𝚔𝚎𝚝𝚌𝚑 𝚊𝚛𝚝𝚒𝚜𝚝, 𝚙𝚛𝚒𝚟𝚊𝚝𝚎 𝚎𝚢𝚎, 𝙱𝚎𝚊𝚝𝚕𝚎 𝚏𝚊𝚗—𝚝𝚑𝚎𝚢’𝚛𝚎 𝚊𝚕𝚕 𝚝𝚛𝚢𝚒𝚗𝚐 𝚝𝚘 𝚖𝚊𝚔𝚎 𝚜𝚎𝚗𝚜𝚎 𝚘𝚏 𝚝𝚑𝚎 𝚊𝚕𝚝𝚎𝚛𝚎𝚍 𝚛𝚎𝚊𝚕𝚒𝚝𝚢 𝚝𝚑𝚎𝚢 𝚎𝚡𝚙𝚎𝚛𝚒𝚎𝚗𝚌𝚎, 𝚒𝚗 𝚠𝚑𝚒𝚌𝚑 𝚝𝚑𝚎 𝚖𝚊𝚛𝚟𝚎𝚕𝚘𝚞𝚜 𝚊𝚗𝚍 𝚝𝚑𝚎 𝚖𝚞𝚗𝚍𝚊𝚗𝚎 𝚊𝚛𝚒𝚜𝚎 𝚜𝚒𝚖𝚞𝚕𝚝𝚊𝚗𝚎𝚘𝚞𝚜𝚕𝚢.

𝚆̲𝙸̲𝙻̲𝙻̲𝙸̲𝙰̲𝙼̲ 𝚂̲𝙴̲𝙰̲𝚃̲𝙾̲𝙽̲: 𝚈𝚘𝚞 𝚊𝚛𝚎 𝚊𝚗 𝚘𝚞𝚝𝚜𝚝𝚊𝚗𝚍𝚒𝚗𝚐 𝚎𝚡𝚙𝚘𝚗𝚎𝚗𝚝 𝚘𝚏 𝚜𝚙𝚘𝚔𝚎𝚗 𝚠𝚘𝚛𝚍 𝚙𝚎𝚛𝚏𝚘𝚛𝚖𝚊𝚗𝚌𝚎, 𝚊𝚋𝚕𝚎 𝚝𝚘 𝚝𝚊𝚔𝚎 𝚊 𝚜𝚝𝚊𝚐𝚎 𝚠𝚒𝚝𝚑 𝚓𝚊𝚣𝚣 𝚖𝚞𝚜𝚒𝚌𝚒𝚊𝚗𝚜 𝚊𝚗𝚍 𝚊𝚍𝚍 𝚢𝚘𝚞𝚛 𝚟𝚘𝚒𝚌𝚎 𝚊𝚜 𝚊𝚗𝚘𝚝𝚑𝚎𝚛 𝚒𝚗𝚜𝚝𝚛𝚞𝚖𝚎𝚗𝚝. 𝙼𝚊𝚗𝚢 𝚘𝚏 𝚝𝚑𝚎 𝚙𝚊𝚜𝚜𝚊𝚐𝚎𝚜 𝚒𝚗 𝙽𝚎𝚠 𝚈𝚘𝚛𝚔 𝚊𝚝 𝚃𝚠𝚒𝚕𝚒𝚐𝚑𝚝 𝚌𝚛𝚢 𝚘𝚞𝚝 𝚝𝚘 𝚋𝚎 𝚛𝚎𝚊𝚍 𝚊𝚕𝚘𝚞𝚍. 𝙰𝚗𝚢 𝚛𝚎𝚏𝚕𝚎𝚌𝚝𝚒𝚘𝚗𝚜 𝚘𝚗 𝚝𝚑𝚎 𝚘𝚛𝚊𝚕𝚒𝚝𝚢 𝚘𝚏 𝚜𝚝𝚘𝚛𝚢𝚝𝚎𝚕𝚕𝚒𝚗𝚐?

𝙺̲𝙸̲𝚁̲𝙿̲𝙰̲𝙻̲ 𝙶̲𝙾̲𝚁̲𝙳̲𝙾̲𝙽̲: 𝙵𝚘𝚛 𝚝𝚑𝚎 𝚜𝚙𝚘𝚔𝚎𝚗 𝚠𝚘𝚛𝚍 𝚙𝚎𝚛𝚏𝚘𝚛𝚖𝚎𝚛 𝚝𝚘 𝚋𝚎𝚌𝚘𝚖𝚎 𝚊 𝚙𝚊𝚛𝚝 𝚘𝚏 𝚝𝚑𝚎 𝚋𝚊𝚗𝚍 𝚛𝚊𝚝𝚑𝚎𝚛 𝚝𝚑𝚊𝚗 𝚜𝚘𝚖𝚎 𝚖𝚊𝚍 𝚛𝚊𝚗𝚝𝚎𝚛 𝚋𝚕𝚘𝚠𝚒𝚗𝚐 𝚘𝚟𝚎𝚛 𝚝𝚑𝚎 𝚌𝚑𝚊𝚗𝚐𝚎𝚜 𝚑𝚊𝚜 𝚊 𝚕𝚘𝚝 𝚝𝚘 𝚍𝚘 𝚠𝚒𝚝𝚑 𝚝𝚑𝚎 𝚘𝚙𝚎𝚗-𝚖𝚒𝚗𝚍𝚎𝚍𝚗𝚎𝚜𝚜 𝚘𝚏 𝚝𝚑𝚎 𝚙𝚕𝚊𝚢𝚎𝚛𝚜. 𝙸 𝚕𝚒𝚔𝚎 𝚠𝚘𝚛𝚔𝚒𝚗𝚐 𝚠𝚒𝚝𝚑 𝚝𝚑𝚎 𝙶𝚛𝚎𝚊𝚝 𝙰𝚖𝚎𝚛𝚒𝚌𝚊𝚗 𝚂𝚘𝚗𝚐𝚋𝚘𝚘𝚔 𝚊𝚜 𝚊 𝚜𝚘𝚞𝚛𝚌𝚎—𝚒𝚝’𝚜 𝚕𝚒𝚔𝚎 𝚊 𝚌𝚘𝚖𝚖𝚘𝚗 𝚟𝚘𝚌𝚊𝚋𝚞𝚕𝚊𝚛𝚢 𝚏𝚘𝚛 𝚙𝚘𝚎𝚝/𝚕𝚢𝚛𝚒𝚌𝚒𝚜𝚝 𝚊𝚗𝚍 𝚖𝚞𝚜𝚒𝚌𝚒𝚊𝚗. 𝚃𝚑𝚎 𝚝𝚑𝚒𝚗𝚐 𝚊𝚋𝚘𝚞𝚝 𝙽𝚈𝙲 𝚓𝚊𝚣𝚣 𝚌𝚊𝚝𝚜 𝚒𝚜 𝚝𝚑𝚊𝚝 𝚝𝚑𝚎𝚢 𝚌𝚊𝚗 𝚝𝚊𝚔𝚎 𝚒𝚝 𝚊𝚗𝚢𝚠𝚑𝚎𝚛𝚎; 𝚝𝚑𝚎𝚒𝚛 𝚒𝚖𝚙𝚛𝚘𝚟𝚒𝚜𝚊𝚝𝚒𝚘𝚗𝚊𝚕 𝚌𝚑𝚘𝚙𝚜 𝚊𝚛𝚎 𝚘𝚏𝚏 𝚝𝚑𝚎 𝚑𝚘𝚘𝚔. 𝚃𝚑𝚎𝚢 𝚔𝚗𝚘𝚠 𝚑𝚘𝚠 𝚝𝚘 𝚕𝚒𝚜𝚝𝚎𝚗 𝚊𝚗𝚍 𝚊𝚍𝚍 𝚝𝚑𝚎 𝚛𝚒𝚐𝚑𝚝 𝚝𝚘𝚞𝚌𝚑.

𝙰𝚜 𝚏𝚘𝚛 𝚛𝚎𝚊𝚍𝚒𝚗𝚐 𝚜𝚎𝚌𝚝𝚒𝚘𝚗𝚜 𝚘𝚏 𝚝𝚑𝚎 𝚋𝚘𝚘𝚔 𝚊𝚕𝚘𝚞𝚍, 𝚖𝚘𝚜𝚝 𝚘𝚏 𝚝𝚑𝚎 𝚖𝚘𝚗𝚘𝚕𝚘𝚐𝚞𝚎𝚜, 𝚙𝚊𝚛𝚊𝚋𝚕𝚎𝚜 𝚊𝚗𝚍 𝚜𝚑𝚘𝚛𝚝𝚎𝚛 𝚜𝚝𝚘𝚛𝚒𝚎𝚜 𝚑𝚊𝚟𝚎 𝚋𝚎𝚎𝚗 𝚛𝚎𝚊𝚍 𝚊𝚗𝚍 𝚙𝚎𝚛𝚏𝚘𝚛𝚖𝚎𝚍 𝚊𝚝 𝚜𝚑𝚘𝚠𝚜. 𝚂𝚘𝚖𝚎 𝚘𝚏 𝚝𝚑𝚎 𝚕𝚘𝚗𝚐𝚎𝚛 𝚜𝚝𝚘𝚛𝚒𝚎𝚜 𝚜𝚝𝚊𝚛𝚝𝚎𝚍 𝚊𝚜 𝚙𝚘𝚎𝚖𝚜 𝚜𝚘 𝚢𝚘𝚞 𝚖𝚊𝚢 𝚑𝚎𝚊𝚛 𝚊 𝚖𝚞𝚜𝚒𝚌𝚊𝚕 𝚎𝚕𝚎𝚖𝚎𝚗𝚝 𝚝𝚑𝚎𝚛𝚎 𝚊𝚜 𝚠𝚎𝚕𝚕. “𝚅𝚎𝚗𝚞𝚜 𝚁𝚒𝚜𝚒𝚗𝚐 𝚘𝚟𝚎𝚛 𝙱𝚛𝚘𝚘𝚔𝚕𝚢𝚗 𝙱𝚛𝚒𝚍𝚐𝚎 𝙻𝚒𝚐𝚑𝚝𝚜” 𝚒𝚜 𝚊 𝚝𝚛𝚒𝚋𝚞𝚝𝚎 𝚝𝚘 𝚃𝚑𝚎𝚕𝚘𝚗𝚒𝚞𝚜 𝙼𝚘𝚗𝚔’𝚜 “𝙲𝚛𝚎𝚙𝚞𝚜𝚌𝚞𝚕𝚎 𝚠𝚒𝚝𝚑 𝙽𝚎𝚕𝚕𝚒𝚎.” “𝙾𝚛𝚙𝚑𝚎𝚞𝚜 𝚒𝚗 𝙷𝚎𝚊𝚟𝚢 𝙼𝚎𝚝𝚊𝚕” 𝚠𝚊𝚜 𝚒𝚗𝚜𝚙𝚒𝚛𝚎𝚍 𝚋𝚢 𝚝𝚑𝚎 𝚓𝚊𝚣𝚣 𝚋𝚊𝚕𝚕𝚊𝚍 “𝚂𝚙𝚛𝚒𝚗𝚐 𝙲𝚊𝚗 𝚁𝚎𝚊𝚕𝚕𝚢 𝙷𝚊𝚗𝚐 𝚈𝚘𝚞 𝚞𝚙 𝚝𝚑𝚎 𝙼𝚘𝚜𝚝.” 𝙻𝚒𝚜𝚝𝚎𝚗 𝚝𝚘 𝚂𝚊𝚒𝚗𝚝-𝚂𝚊𝚎𝚗’𝚜 “𝚃𝚑𝚎 𝚂𝚠𝚊𝚗” 𝚝𝚠𝚒𝚌𝚎 𝚠𝚑𝚒𝚕𝚎 𝚛𝚎𝚊𝚍𝚒𝚗𝚐 “𝙰 𝙶𝚑𝚘𝚜𝚝 𝚒𝚗 𝙷𝚒𝚜 𝙾𝚠𝚗 𝚂𝚔𝚒𝚗.” 𝚃𝚑𝚎 𝚝𝚞𝚗𝚎 “𝙱𝚎𝚠𝚒𝚝𝚌𝚑𝚎𝚍, 𝙱𝚘𝚝𝚑𝚎𝚛𝚎𝚍 𝚊𝚗𝚍 𝙱𝚎𝚠𝚒𝚕𝚍𝚎𝚛𝚎𝚍” 𝚑𝚎𝚕𝚙𝚜 𝚍𝚎𝚕𝚒𝚟𝚎𝚛 𝚖𝚊𝚐𝚒𝚌 𝚒𝚗 “𝚃𝚑𝚎 𝚃𝚠𝚒𝚕𝚒𝚐𝚑𝚝 𝚂𝚘𝚌𝚒𝚎𝚝𝚢.” 𝚂𝚝𝚛𝚊𝚟𝚒𝚗𝚜𝚔𝚢’𝚜 “𝚁𝚒𝚝𝚎 𝚘𝚏 𝚂𝚙𝚛𝚒𝚗𝚐” 𝚒𝚜 𝚑𝚎𝚊𝚛𝚍 𝚝𝚑𝚛𝚘𝚞𝚐𝚑𝚘𝚞𝚝 “𝚈𝚘𝚞’𝚛𝚎 𝙱𝚕𝚘𝚘𝚖𝚒𝚗𝚐 𝙴𝚟𝚎𝚛𝚢𝚠𝚑𝚎𝚛𝚎.” “𝚂𝚑𝚊𝚗𝚐𝚑𝚊𝚒 𝚒𝚗 𝚝𝚑𝚎 𝙴𝚊𝚜𝚝 𝚅𝚒𝚕𝚕𝚊𝚐𝚎” 𝚛𝚎𝚟𝚘𝚕𝚟𝚎𝚜 𝚊𝚛𝚘𝚞𝚗𝚍 𝚝𝚑𝚎 𝚂𝚝𝚎𝚎𝚕𝚢 𝙳𝚊𝚗 𝚝𝚞𝚗𝚎 “𝙿𝚎𝚐.” 𝚃𝚑𝚎 𝚗𝚊𝚛𝚛𝚊𝚝𝚘𝚛 𝚘𝚏 “𝙷𝚎𝚛𝚜 𝚊𝚝 𝙻𝚊𝚜𝚝” 𝚑𝚎𝚊𝚛𝚜 𝚊 𝚌𝚘𝚗𝚐𝚞𝚎𝚛𝚘 𝚒𝚗 𝚝𝚑𝚎 𝚖𝚘𝚘𝚗𝚕𝚒𝚐𝚑𝚝. 𝙹𝚘𝚑𝚗 𝙲𝚘𝚕𝚝𝚛𝚊𝚗𝚎’𝚜 𝙰 𝙻𝚘𝚟𝚎 𝚂𝚞𝚙𝚛𝚎𝚖𝚎 𝚊𝚗𝚍 𝚁𝚊𝚕𝚙𝚑 𝚅𝚊𝚞𝚐𝚑𝚗 𝚆𝚒𝚕𝚕𝚒𝚊𝚖𝚜’ “𝚂𝚎𝚛𝚎𝚗𝚊𝚍𝚎 𝚝𝚘 𝙼𝚞𝚜𝚒𝚌” 𝚙𝚕𝚊𝚢 𝚒𝚗 “𝙿𝚎𝚝𝚊𝚕𝚜 𝚘𝚏 𝙿𝚞𝚜𝚑𝚙𝚎𝚖𝚊.” “𝙴𝚛𝚊𝚜𝚒𝚗𝚐 𝚝𝚑𝚎 𝚂𝚎𝚙𝚊𝚛𝚊𝚝𝚒𝚘𝚗” 𝚎𝚗𝚍𝚜 𝚠𝚒𝚝𝚑 𝚆𝚎𝚊𝚝𝚑𝚎𝚛 𝚁𝚎𝚙𝚘𝚛𝚝’𝚜 “𝙱𝚒𝚛𝚍𝚕𝚊𝚗𝚍.”

𝙰𝚜 𝚏𝚘𝚛 𝚠𝚛𝚒𝚝𝚝𝚎𝚗 𝚜𝚝𝚘𝚛𝚢𝚝𝚎𝚕𝚕𝚒𝚗𝚐, 𝙸 𝚕𝚎𝚊𝚛𝚗𝚎𝚍 𝚊 𝚕𝚘𝚝 𝚏𝚛𝚘𝚖 𝙽𝚘𝚛𝚖𝚊𝚗 𝙳𝚞𝚋𝚒𝚎 𝚒𝚗 𝚝𝚑𝚎 𝚕𝚊𝚝𝚎 𝟷𝟿𝟽𝟶𝚜 𝚒𝚗 𝚃𝚎𝚖𝚙𝚎, 𝙰𝚛𝚒𝚣𝚘𝚗𝚊. 𝙸 𝚏𝚘𝚞𝚗𝚍 𝚑𝚒𝚜 𝚞𝚜𝚎 𝚘𝚏 𝚝𝚑𝚎 𝚍𝚛𝚊𝚖𝚊𝚝𝚒𝚌 𝚖𝚘𝚗𝚘𝚕𝚘𝚐𝚞𝚎 𝚕𝚒𝚋𝚎𝚛𝚊𝚝𝚒𝚗𝚐—𝚑𝚎 𝚠𝚛𝚘𝚝𝚎 𝚒𝚗 𝚝𝚑𝚎 𝚟𝚘𝚒𝚌𝚎 𝚘𝚏 𝚝𝚑𝚎 𝚕𝚎𝚙𝚎𝚛, 𝚝𝚑𝚎 𝚜𝚌𝚑𝚗𝚘𝚘𝚔 𝚊𝚗𝚍 𝚝𝚑𝚎 𝚜𝚎𝚛𝚏 𝚊𝚜 𝚠𝚎𝚕𝚕 𝚊𝚜 𝚝𝚑𝚎 𝚌𝚣𝚊𝚛, 𝚝𝚑𝚎 𝚜𝚊𝚒𝚗𝚝 𝚊𝚗𝚍 𝚝𝚑𝚎 𝚐𝚎𝚗𝚒𝚞𝚜. 𝚃𝚊𝚔𝚒𝚗𝚐 𝚝𝚑𝚎 𝚏𝚒𝚛𝚜𝚝- 𝚙𝚎𝚛𝚜𝚘𝚗 𝚗𝚊𝚛𝚛𝚊𝚝𝚒𝚟𝚎 𝚍𝚎𝚟𝚒𝚌𝚎 𝚙𝚊𝚜𝚝 𝙱𝚛𝚘𝚠𝚗𝚒𝚗𝚐, 𝚃𝚎𝚗𝚗𝚢𝚜𝚘𝚗 𝚊𝚗𝚍 𝚁𝚒𝚌𝚑𝚊𝚛𝚍 𝙷𝚘𝚠𝚊𝚛𝚍, 𝚑𝚎 𝚌𝚛𝚎𝚊𝚝𝚎𝚍 𝚊𝚗 𝚒𝚖𝚖𝚎𝚛𝚜𝚒𝚟𝚎 𝚠𝚘𝚛𝚕𝚍-𝚒𝚗-𝚒𝚝𝚜𝚎𝚕𝚏. 𝚃𝚑𝚊𝚝’𝚜 𝚠𝚑𝚊𝚝 𝚔𝚗𝚘𝚌𝚔𝚎𝚍 𝚖𝚎 𝚘𝚞𝚝 𝚒𝚗 𝙱𝚘𝚛𝚐𝚎𝚜, 𝙺𝚊𝚏𝚔𝚊, 𝙲𝚊𝚕𝚟𝚒𝚗𝚘. 𝚃𝚑𝚊𝚝’𝚜 𝚠𝚑𝚊𝚝 𝙸 𝚠𝚊𝚜 𝚊𝚏𝚝𝚎𝚛. 𝚆𝚑𝚎𝚗 𝙸 𝚛𝚎𝚝𝚞𝚛𝚗𝚎𝚍 𝚝𝚘 𝚝𝚑𝚎 𝙱𝚒𝚐 𝙰𝚙𝚙𝚕𝚎, 𝙸 𝚑𝚊𝚍 𝚝𝚑𝚎 𝚐𝚘𝚘𝚍 𝚏𝚘𝚛𝚝𝚞𝚗𝚎 𝚘𝚏 𝚏𝚒𝚗𝚍𝚒𝚗𝚐 𝚒𝚗 𝚝𝚑𝚎 𝚝𝚑𝚎𝚊𝚝𝚎𝚛 𝚊𝚗𝚍 𝚓𝚊𝚣𝚣 𝚌𝚘𝚖𝚖𝚞𝚗𝚒𝚝𝚒𝚎𝚜 𝚝𝚑𝚎 𝚏𝚘𝚕𝚔𝚜 𝚠𝚑𝚘 𝚌𝚘𝚞𝚕𝚍 𝚝𝚊𝚔𝚎 𝚖𝚢 𝚜𝚌𝚛𝚒𝚙𝚝𝚜 𝚊𝚗𝚍 𝚋𝚒𝚝𝚜 𝚏𝚞𝚛𝚝𝚑𝚎𝚛. 𝚁𝚎𝚊𝚍𝚒𝚗𝚐 𝚊𝚗𝚍 𝚙𝚎𝚛𝚏𝚘𝚛𝚖𝚒𝚗𝚐 𝚝𝚑𝚎𝚜𝚎 𝚝𝚊𝚕𝚎𝚜 𝚝𝚘 𝙽𝚎𝚠 𝚈𝚘𝚛𝚔 𝚊𝚞𝚍𝚒𝚎𝚗𝚌𝚎𝚜 𝚑𝚎𝚕𝚙𝚎𝚍 𝚖𝚎 𝚝𝚞𝚛𝚗 𝚞𝚙 𝚝𝚑𝚎 𝚌𝚘𝚖𝚎𝚍𝚢, 𝚕𝚘𝚜𝚎 𝚝𝚑𝚎 𝚊𝚜𝚒𝚍𝚎𝚜 𝚊𝚗𝚍 𝚍𝚎𝚎𝚙𝚎𝚗 𝚝𝚑𝚎 𝚒𝚗𝚝𝚛𝚒𝚐𝚞𝚎. 𝚃𝚑𝚒𝚜 𝚜𝚎𝚌𝚘𝚗𝚍 𝚎𝚍𝚒𝚝𝚒𝚘𝚗 𝚒𝚜 𝚜𝚝𝚛𝚘𝚗𝚐𝚎𝚛 𝚋𝚎𝚌𝚊𝚞𝚜𝚎 𝚘𝚏 𝚠𝚑𝚊𝚝 𝙸 𝚕𝚎𝚊𝚛𝚗𝚎𝚍 𝚒𝚗 𝚌𝚘𝚕𝚕𝚊𝚋𝚘𝚛𝚊𝚝𝚒𝚗𝚐 𝚠𝚒𝚝𝚑 𝚙𝚎𝚛𝚏𝚘𝚛𝚖𝚎𝚛𝚜 𝚊𝚗𝚍 𝚍𝚒𝚛𝚎𝚌𝚝𝚘𝚛𝚜. 𝙸𝚗 𝚊𝚍𝚍𝚒𝚝𝚒𝚘𝚗, 𝚍𝚞𝚛𝚒𝚗𝚐 𝙲𝚘𝚟𝚒𝚍, 𝙸 𝚑𝚊𝚍 𝚊 𝚌𝚑𝚊𝚗𝚌𝚎 𝚝𝚘 𝚠𝚘𝚛𝚔 𝚠𝚒𝚝𝚑 𝚊𝚌𝚝𝚘𝚛𝚜 𝚠𝚑𝚘 𝚟𝚒𝚍𝚎𝚘𝚝𝚊𝚙𝚎𝚍 𝚙𝚎𝚛𝚏𝚘𝚛𝚖𝚊𝚗𝚌𝚎𝚜 𝚠𝚒𝚝𝚑 𝚖𝚞𝚜𝚒𝚌 𝚊𝚗𝚍 𝚜𝚌𝚎𝚗𝚎𝚛𝚢 . 𝚂𝚘 𝚒𝚝'𝚜 𝚋𝚎𝚎𝚗 𝚊 𝚌𝚘𝚗𝚌𝚎𝚛𝚝𝚎𝚍 𝚎𝚏𝚏𝚘𝚛𝚝.

𝚆̲𝙸̲𝙻̲𝙻̲𝙸̲𝙰̲𝙼̲ 𝚂̲𝙴̲𝙰̲𝚃̲𝙾̲𝙽̲: “𝚃𝚠𝚒𝚕𝚒𝚐𝚑𝚝” 𝚒𝚜 𝚗𝚘𝚝 𝚘𝚗𝚕𝚢 𝚙𝚊𝚛𝚝 𝚘𝚏 𝚝𝚑𝚎 𝚝𝚒𝚝𝚕𝚎—𝚖𝚞𝚌𝚑 𝚘𝚏 𝚝𝚑𝚎 𝚠𝚑𝚘𝚕𝚎 𝚋𝚘𝚘𝚔 𝚝𝚊𝚔𝚎𝚜 𝚙𝚕𝚊𝚌𝚎 𝚒𝚗 𝚋𝚘𝚛𝚍𝚎𝚛𝚕𝚊𝚗𝚍𝚜, 𝚠𝚑𝚎𝚛𝚎 𝚛𝚎𝚊𝚕 𝚋𝚎𝚌𝚘𝚖𝚎𝚜 𝚞𝚗𝚛𝚎𝚊𝚕, 𝚖𝚊𝚍𝚗𝚎𝚜𝚜 𝚕𝚘𝚘𝚔𝚜 𝚕𝚒𝚔𝚎 𝚜𝚊𝚗𝚒𝚝𝚢, 𝚝𝚑𝚎 𝚟𝚒𝚎𝚠 𝚊𝚑𝚎𝚊𝚍 𝚒𝚜 𝚏𝚘𝚐𝚐𝚢, 𝚢𝚎𝚝 𝚢𝚘𝚞𝚛 𝚌𝚑𝚊𝚛𝚊𝚌𝚝𝚎𝚛𝚜 𝚏𝚎𝚎𝚕 𝚝𝚑𝚎𝚒𝚛 𝚠𝚊𝚢 𝚏𝚘𝚛𝚠𝚊𝚛𝚍. 𝚆𝚑𝚊𝚝 𝚙𝚊𝚛𝚝 𝚍𝚘𝚎𝚜 𝚊𝚛𝚝 𝚙𝚕𝚊𝚢 𝚒𝚗 𝚖𝚊𝚔𝚒𝚗𝚐 𝚕𝚒𝚏𝚎 𝚕𝚒𝚟𝚊𝚋𝚕𝚎?

𝙺̲𝙸̲𝚁̲𝙿̲𝙰̲𝙻̲ 𝙶̲𝙾̲𝚁̲𝙳̲𝙾̲𝙽̲: 𝚃𝚑𝚎 𝚋𝚘𝚘𝚔’𝚜 𝚙𝚛𝚘𝚝𝚊𝚐𝚘𝚗𝚒𝚜𝚝𝚜 𝚊𝚛𝚎 𝚒𝚗 𝚝𝚑𝚊𝚝 𝚕𝚒𝚖𝚒𝚗𝚊𝚕 𝚜𝚝𝚊𝚝𝚎, 𝚊𝚜 𝚢𝚘𝚞 𝚜𝚊𝚢, 𝚏𝚎𝚎𝚕𝚒𝚗𝚐 𝚝𝚑𝚎𝚒𝚛 𝚠𝚊𝚢 𝚏𝚘𝚛𝚠𝚊𝚛𝚍 𝚒𝚗 𝚝𝚑𝚎 𝚏𝚘𝚐. 𝙰𝚕𝚝𝚑𝚘𝚞𝚐𝚑 𝚞𝚗𝚌𝚎𝚛𝚝𝚊𝚒𝚗𝚝𝚢 𝚛𝚎𝚒𝚐𝚗𝚜, 𝚝𝚑𝚎𝚢’𝚛𝚎 𝚘𝚗 𝚝𝚑𝚎 𝚝𝚑𝚛𝚎𝚜𝚑𝚘𝚕𝚍 𝚘𝚏 𝚔𝚗𝚘𝚠𝚒𝚗𝚐 𝚋𝚘𝚝𝚑 𝚜𝚒𝚍𝚎𝚜 𝚗𝚘𝚠—𝚛𝚎𝚊𝚕-𝚍𝚛𝚎𝚊𝚖, 𝚖𝚊𝚍-𝚜𝚊𝚗𝚎, 𝚊𝚕𝚒𝚟𝚎-𝚍𝚎𝚊𝚍, 𝚜𝚎𝚕𝚏-𝚌𝚘𝚜𝚖𝚘𝚜, 𝚖𝚊𝚛𝚟𝚎𝚕𝚘𝚞𝚜-𝚖𝚞𝚗𝚍𝚊𝚗𝚎. 𝙸 𝚑𝚊𝚟𝚎 𝚊 𝚏𝚎𝚎𝚕𝚒𝚗𝚐 𝚝𝚑𝚊𝚝 𝚜𝚑𝚊𝚛𝚒𝚗𝚐 𝚝𝚑𝚎𝚜𝚎 𝚜𝚝𝚘𝚛𝚒𝚎𝚜 𝚘𝚏 𝚎𝚗𝚌𝚘𝚞𝚗𝚝𝚎𝚛𝚜 𝚠𝚒𝚝𝚑 𝚝𝚠𝚒𝚕𝚒𝚐𝚑𝚝 𝚝𝚒𝚖𝚎 𝚎𝚗𝚝𝚒𝚝𝚒𝚎𝚜 𝚖𝚊𝚢 𝚊𝚏𝚏𝚎𝚌𝚝 𝚝𝚑𝚘𝚜𝚎 𝚎𝚗𝚌𝚘𝚞𝚗𝚝𝚎𝚛𝚜 𝚏𝚘𝚛 𝚝𝚑𝚎 𝚋𝚎𝚝𝚝𝚎𝚛. 𝚆𝚑𝚒𝚌𝚑 𝚕𝚎𝚊𝚍𝚜 𝚖𝚎 𝚝𝚘 𝚝𝚑𝚎 𝚙𝚊𝚛𝚝 𝚊𝚛𝚝 𝚙𝚕𝚊𝚢𝚜 𝚒𝚗 𝚑𝚎𝚕𝚙𝚒𝚗𝚐 𝚖𝚊𝚔𝚎 𝚕𝚒𝚏𝚎 𝚕𝚒𝚟𝚊𝚋𝚕𝚎. 𝙲𝚛𝚎𝚊𝚝𝚒𝚗𝚐 𝚊𝚛𝚝, 𝚜𝚝𝚘𝚛𝚒𝚎𝚜, 𝚏𝚒𝚕𝚖𝚜, 𝚙𝚘𝚎𝚖𝚜, 𝚖𝚞𝚜𝚒𝚌 𝚊𝚗𝚍 𝚍𝚊𝚗𝚌𝚎—𝚝𝚑𝚎𝚢’𝚛𝚎 𝚎𝚗𝚝𝚎𝚛𝚝𝚊𝚒𝚗𝚖𝚎𝚗𝚝, 𝚗𝚘𝚞𝚛𝚒𝚜𝚑𝚖𝚎𝚗𝚝, 𝚊 𝚗𝚎𝚠 𝚠𝚊𝚢 𝚝𝚘 𝚜𝚎𝚎 𝚜𝚘𝚖𝚎𝚝𝚑𝚒𝚗𝚐. 𝙻𝚒𝚔𝚎 𝚙𝚞𝚝𝚝𝚒𝚗𝚐 𝚘𝚗 𝚊 𝚜𝚑𝚘𝚠 𝚘𝚛 𝚌𝚘𝚗𝚜𝚒𝚍𝚎𝚛𝚒𝚗𝚐 𝚊 𝚌𝚘𝚗𝚌𝚎𝚙𝚝, 𝚢𝚘𝚞 𝚒𝚖𝚖𝚎𝚛𝚜𝚎 𝚢𝚘𝚞𝚛𝚜𝚎𝚕𝚏. 𝙱𝚎𝚌𝚊𝚞𝚜𝚎 𝚝𝚑𝚎𝚢 𝚛𝚎𝚚𝚞𝚒𝚛𝚎 𝚒𝚗𝚝𝚎𝚛𝚙𝚛𝚎𝚝𝚊𝚝𝚒𝚘𝚗, 𝚝𝚑𝚎 𝚊𝚛𝚝𝚜 𝚊𝚛𝚎 𝚊𝚖𝚘𝚗𝚐 𝚝𝚑𝚎 𝚋𝚎𝚜𝚝 𝚜𝚞𝚋𝚓𝚎𝚌𝚝𝚜 𝚏𝚘𝚛 𝚍𝚒𝚜𝚌𝚞𝚜𝚜𝚒𝚘𝚗. 𝙰𝚜 𝚊 𝚕𝚎𝚊𝚛𝚗𝚒𝚗𝚐 𝚝𝚘𝚘𝚕 𝚏𝚘𝚛 𝚊𝚍𝚊𝚙𝚝𝚊𝚋𝚕𝚎 𝚕𝚒𝚟𝚒𝚗𝚐, 𝚝𝚑𝚎 𝚊𝚛𝚝𝚜 𝚛𝚘𝚌𝚔.

Watch performances and readings of Gordon’s work on his YouTube channel: youtube.com/GiantStepsPress

🛒 𝗔𝗩𝗔𝗜𝗟𝗜𝗕𝗟𝗘 𝗡𝗢𝗪:

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New York at Twilight

Selected Tales of Gotham’s Weird & Eerie

A collection of twilight-zone NYC tales—eerie, lyrical, and strange.

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