This Idea Must Die (a review)

(This review appeared previously in Pop Matters)

This Idea Must Die

Harper Perennial, 2015

John Brockman, Editor

$15.99

by Norman Ball

“Never Fall in Love with Your Theory of Everything”

Traditionally, one proud boast of science has been that it offers a refreshing alternative to the dogmatism so prevalent in other realms of human endeavor. Nothing is sacred in science, its practitioners like to say, since any prevailing theory is shown the door when a usurping theory with greater explanatory power arrives on the scene.

That sounds sporting enough. However, in recent years the spirit of earnest self-correction has all too often suffered the grimy imprimatur of human nature. Study findings have been exaggerated or statistically massaged. Problematic data points go AWOL when they undermine desired outcomes. Would you believe money often plays a leading role? Say it isn’t so! That’s right. White lab coats are not always indicative of antiseptic integrity because, well, absent grant money, all smocks risk getting mothballed in the closet. Big Money doesn’t just finance Big Science. Often, between the lines it buys predetermined outcomes. From there, it’s a hop, skip and a jump to 'bureaucratized O-rings' en route to Mars.

As a recent study showed (to paraphrase the Dentyne ads of yore), four out of five scientists surveyed are all-too human. In other words, we’re all prone to cavities—and influences. Take Dutch social psychologist Diederik Stapel. Not satisfied with merely disappearing a handful of nettlesome outlier data points, Stapel conjured ex nihilo entire schools from which whole-cloth data were then presented as fact. As Sarah Estes of The Atlantic described it ('The Myth of Self-Correcting Science' 20 December 2012) Stapel’s mea culpa was more Shakespearian than Copernican. Far from his Bunsen burner breaking mid-experiment, he succumbed to the usual garden variety character flaws: “reckless, ruthless ambition and playing the odds against getting caught.”

If New Good Science can’t be trusted to hack away the detritus of Bad Old Science, perhaps we need to exit fully-appointed laboratories altogether for unfunded but informed speculation. That’s where Editor John Brockman’s This Idea Must Die fits the bill nicely.

This Idea Must Die is a fascinating collection of mini-essays from 175 scientific luminaries describing which scientific idea they deem most eligible for falling by the wayside, cushy grants and prevailing vogues be damned. In that sense this book puts speculative self-correction back in the driver’s seat. Think of a Pruner’s Digest that argues for clearing away old brush to make room for the green shoots of tomorrow.

The collection is something between a Faustian romp and a dilettante’s bedside companion. That’s right. You too can sound like Michio Kaku at your next cocktail party—though the Einstein mane is between you and your hairdresser.

In “Artificial Intelligence”, (sardonic/ironic quotes the author’s) longtime AI theorist Roger Schank attacks the efficacy of the term itself, feeling it a misnomer that served a priori to poison the inquiry. Part of the dilemma stems from emulating an altogether human phenomenon—intelligence—that science is far from comprehending within the hairy ape himself. It’s like attempting to paint a reproduction of a Picasso that’s kept in a dark room. Schank suggests changing the name of the endeavor to “getting computers to do really cool stuff” would better illustrate the nature of the inquiry.

One of the key fascinations of this collection is how some essays subtly contradict one another. For example, physicist Frank Wilczek is more sympathetic to AI than Schank, suggesting (in “Mind Versus Matter”) that one of the three developments responsible for collapsing the mind versus matter demarcation stemmed from the realization that, “many accomplishments once viewed as prerogatives of the mind, from playing chess to planning itineraries to suggesting friends and sharing interests, are things that machines…by pure computation, can do quite well.”

Yet another take on the intelligence conundrum is suggested in Alexander Wissner-Gross’ “Intelligence as a Property”, wherein he suggests intelligence itself is misunderstood as a “static property”, when it’s better thought of as a “dynamic process”. Tool use, for example, may not be a first-order static goal of intelligence so much as it is the, “side effect of a deeper, dynamical process that attempts to maximize future freedom of action.” Now that’s heavy. Where’s my hand-truck?

In the scientific humility department, physicists Geoffrey West and Martin Rees weigh in from slightly different vantages in “The Theory of Everything” and “We’ll Never Hit Barriers to Scientific Understanding”, respectively. Both men puncture the hubris of a science that believes it will one day sit astride all things. West suggests the quest for a Grand Unified Theory has telltale echoes of religion’s monotheistic vision and therefore is “intellectually dangerous”. Like calculus’ asymptotic function, something will always be missing such that the goal of encapsulating everything will forever be left splitting an infinite difference.

Rees takes another tack, suggesting that even if science was capable of converging on everything, it is, in the end, constrained by the limitations of the observer: “Nonetheless—and here I’m sticking my neck out—maybe some aspects of reality are intrinsically beyond us, in that their comprehension would require some posthuman intellect.”

Technology Forecaster Paul Saffo inverts the question altogether by discarding the notion of scientific progress as being some imposing, ever-growing noosphere that threatens to subdue everything. He focuses instead on how scientific advance, paradoxically, accentuates how little of the mystery has acceded to our grasp. In short, science, suggests Saffo, highlights with each new discovery the “profundity of our ignorance”. Awe and wonder are still the appropriate responses.

Interestingly, two essays appear under the name ‘Culture’ that is to say, the latter is marked for white smock death. Twice. The first, by Anthropologist/Psychologist Pascal Boyer, starts off oddly enough: “Culture is like trees. Yes, there are trees around. But that doesn’t mean we can have a science of trees.” But don’t we have a science of trees, dendrology or forestry? Though I lack the expertise to identify the grievance or turf war, Boyer seems to be wielding a professional ax against culture as science, suggesting the phenomena therein are more than addressed by sociology, anthropology, evolutionary biology, neurology and others. He may be right.

In the second essay, Anthropologist Laura Betzig is beautifully prosaic in her polite disavowal of culture as a creditable science. But is there the slightest hint of condescension in relegating culture scientists to a chorus line? Let the reader be the judge:

"…it has seemed to me that ‘culture’ is a seven-letter word for God. Good people (some of the best) and intelligent people (some of the smartest) have found meaning in religion: They have faith that something supernatural guides what we do. Other good, intelligent people have found meaning in culture: They believe that something superzoological shapes the course of human events. Their voices are often beautiful, and it’s wonderful to be part of a chorus. But in the end, I don’t get it. For me, the laws that apply to animals apply to us. And in that view of life there is grandeur enough." 

Bringing this review full-circle—back to the sociology of science, two interesting essays draw some rather sanguine conclusions about how science is presently conducted. In “The Way We Produce and Advance Science”, anthropologist Kathryn Clancy reports on her disturbing recent study which found 60 percent of the respondents had been sexually harassed and 20 percent sexually assaulted while on field study sites. Other forms of exploitation are rife in the field promulgated typically by scientists in positions of power over others. Tenure is often held as a bargaining chip.

The implications are rather obvious. The quality of scientific study has to suffer in an environment where human beings’ welfare is not paramount.

Clancy points to other studies that reveal environments conducive to women's contributions produce more papers and better research. In “Allocating Funds via Peer Review”, Gerontologist Aubrey De Grey exposes a peer review process that favors low-risk, low-ambition projects for all the familiar bureaucratic reasons. Too much energy gets devoted to submission protocols and pleasing peer review panels that may lack the necessary expertise to assess the project’s merits. Alas, this risk-aversion bias is endemic across culture and is hardly a peculiarity of science.

This review barely scrapes the surface of what lies in store for the intrepid reader. The strength of the essays lies both in their disciplined brevity as well as the remarkable ability of these very brilliant thought-leaders to convey their areas of inquiry in a manner general readers can understand. For those who tend to stereotype the planet’s empiricists as plodding, observation-driven technicians, the elasticity of thought and imaginative excursions on display here easily dispel that notion. Buckminster Fuller once said, “You never change things by fighting the existing reality. To change something, build a new model that makes the existing model obsolete.”

Perhaps this non-confrontational, end-run approach is the optimal path to establishing new paradigms. But surely recognizing and articulating the sacred cows in our midst, as happens here, is one step towards constructing newer, better models.

Living in a World without Borders: An Interview with author MICHAEL HOGAN

KIRPAL GORDON:  For Giant Steps Press readers new to your work, let me take it back to 1978 in Arizona. You had just hit a monster home run with “A Lion at a Cocktail Party” and were the talk of the lit circles, most especially because you had your own voice and weren’t an imitation of any MFA style-du-jour. Brother, you gave all of us struggling writers out there hope!

MICHAEL HOGAN: Thanks, Kirpal. Yes, that book did very well. A lot of the material was originally published by George Hitchcock in his magazine, “kayak.” It was a magazine that favored the unusual, the unique and surreal. The press that originally published my book went out of business, though, and it languished in limbo until Kindle came along. I continued to publish in small lit mags over the years and in chapbooks but since after moving to Mexico I was not active in the U.S. poetry scene. At least not like I was in the glory days of the Seventies. Then I did readings with Allen Ginsberg, William Stafford, Charles Bukowski, Richard Shelton, Sam Hamill and many others as you know.

 

KIRPAL GORDON: I see that Sam Hamill has written the introduction to your “Winter Solstice: Collected Poems, 1975-2012.”  How long has this been out and how has it been received?

MICHAEL HOGAN: The book is not out yet. We expect to see in print sometime in early 2012. Sam is still writing the introduction. His wife passed away recently and he has understandably been stalled. I first met Sam many years ago in San Francisco when we both read together at A Clean Well Lighted Place. After he started Poets Against the War I connected up with him again and contributed to that project. I admire him a great deal as a poet, translator and an anti-war activist and I am honored that he has agreed to write the introduction to my life’s work of poetry.

KIRPAL GORDON: Life’s work? But it’s called “Selected Poems,” not “Collected.”

MICHAEL HOGAN: That was the editor’s decision. Jim Hepworth of Confluence Press in Oregon. I wrote over 2,000 poems and many of them (he felt) were best left on the editorial floor, so to speak. However it is what I would call a “highly selective Collected Poems”…. about 300 poems.

KIRPAL GORDON: How did you find your way from poetry into writing non-fiction and fiction? 

MICHAEL HOGAN: Well, I always wrote short stories and articles. However, I had not begun any large projects in this area until the 90s. I started to write a novel about the Irish in the Mexican War because I had an ancestor who fought in it. After I had written a couple of chapters, I realized how little I knew about that period of history. So, when I had an opportunity to teach in Mexico, I went ahead and studied advanced Spanish at the University of Guadalajara, and then went for the doctorate in history while doing research extensive on the period of the Mexican-American War. My book, “The Irish Soldiers of Mexico” received the gold medal of the National Geographic Society in Mexico and went through five editions in English and four in Spanish. The novel “Molly Malone and the San Patricios” followed from that.

KIRPAL GORDON: So that explains your Ph.D. in Latin American studies. How about your role in education? And your consultancies with the State Department?

 

MICHAEL HOGAN: Well, I went to Mexico on a two-year contract to teach at a private school there. I was invited because in San Francisco I did work in the Mission District (which is mostly Latino) with at-risk kids and was quite successful. I established a literary magazine for three schools and also introduced some advanced courses. So in Mexico I founded “Sin Fronteras” which is the longest running and most talked-out bilingual student magazine in the Americas. It also has received 20 consecutive awards from the National Council of Teachers of English.  I also started the Advanced Placement Program in Guadalajara. For my work there I received a citation from the Office of Overseas Schools. This sounds an awful lot like bragging but I don’t mean it to be. I felt like I was on a mission in those days and that education was the answer. I also had a lot of help as you can imagine. In my own life I had some pretty heavy setbacks and I knew that education was a way out for many kids who might otherwise end up in dead end jobs or worse.

KIRPAL GORDON: So that led to your consultancies?

MICHAEL HOGAN: Yes, the State Department asked me to go to other countries in Latin America and work with the schools there to help improve their academic offerings. These are essentially American schools abroad which children of ambassadors attend as well as the children of local leaders of government and business. So academic rigor is important.

KIRPAL GORDON: In your latest book, “A Death in Newport,” which I just finished, you manage to deliver a multiple murder mystery in your old Rhode Island hometown with a plot that revolves around multi-national corporations, Latin America, deforestation, peonage, greed and propaganda to deliver a climax that changes the lives of the tale’s main characters while rendering to readers an intensely sober appreciation of the actual global mess we’re in deep denial over. Talk about compelling reading---that’s quite a gauntlet you’ve thrown down.

MICHAEL HOGAN: Well, a lot of things came together at the same time to help me with that book. I had written a non-fiction work, “Savage Capitalism and the Myth of Democracy,” two years ago. That led to several discussions with Noam Chomsky who wrote a blurb for the book. We were both deeply concerned with what was going on globally and shared many of the same values. Also, I had gone to Bolivia as a consultant and saw what was happening there and was invited to a globalization conference at Boston University. Finally, I had an opportunity to spend three consecutive summer writing at the beautiful campus of Salve Regina University in Newport, RI, which is the setting and also as you say, my old hometown which I had not spent any time in for over forty years.

KIRPAL GORDON: What’s next and how do Giant Steps readers stay in better touch with you and your projects?

MICHAEL HOGAN: My next project is a more light-hearted book called “Growing Up Catholic.” I think it will amuse my readers. I am also continuing to write articles on globalization, the Church, gangs in Latin America, the failure of global economic systems, and the future education. Many of my articles appear on line in Alterinfos and Z Net. All of my books and some articles can be accessed on my home page www.drmichaelhogan.com. There is also audio so you can hear some of my most anthologized poems. I also have a Facebook page for the “Irish Soldiers of Mexico” where one can hear Irish music, visit Mexican museums, study the history of the Mexican War and the Irish participation. It is www.facebook.com/IrishMex.