Friday, June 4, 2021

GSP William Seaton Reads on Zoom June 12th

For Immediate Release - for further information contact Phillip X  Levine (845)246-8565 or email:  phillip@woodstockpoetry.com


Woodstock Poetry Society (www.woodstockpoetry.com) is sponsoring the following poetry event as part of the Woodstock "Second Saturdays" Art Events.


Due to the ongoing pandemic - for now, all meetings will be held virtually via Zoom

The Zoom app can be downloaded here: Zoom Download Center


To attend: contact phillip@woodstockpoetry.com to receive Zoom info.

If attending, please indicate if you would like to be on the open mike. Thank you.


Poets Elizabethanne Spiotta and William Seaton will be featured, followed by an open mike when the Woodstock Poetry Society meets virtually via Zoom on Saturday, June 12th at 2pm.


Note: WPS&F meetings are held the 2nd Saturday of every month.


The readings will be hosted by Woodstock area poet Phillip X Levine. All meetings are free, open to the public, and include an open mike.


Features:


Elizabethanne Spiotta - Elizabethanne Spiotta is a poet mother widow chaplain who often wonders if she is will ever get her head out of the clouds. She is living the good life on the water in the country of upstate NY.

Elizabethanne Spiotta

Elizabethanne Spiotta


Taking Ownership.


I just asked the bus driver to drop me off

straight away in Mountainville

where I will hide behind one of your barns until after dark

for you to come

and find me.

On the last of the crunchy dry leaves,

we can disturb the young onion grass

and show our teeth to the stars.


-Elizabethanne Spiotta


*

William Seaton - William Seaton is a poet, translator, and critic, the author of Spoor of Desire: Selected Poems and Dada Poetry: An Introduction. Active in poetry performance since sixties happenings, he was a member of the San Francisco Cloud House group in the seventies and produced the Poetry on the Loose series in the Hudson Valley for twenty-one years. Seaton maintains a largely literary blog offering “a blend of thought available nowhere else” at williamseaton.blogspot.com.

William Seaton


William Seaton


See the glyph on th’enameled beetle’s back!

while in the sky the birds pursue their destiny,

quite innocent of thought, their route inscribed

in every cell. They may have lice but rarely doubt.

Each thought a blue shaft like a glacier’s heart,

piercing the gusty land of air with small and similar strokes.

Selflessness like one inside a car caroming,

overturning, yet to hit the final ground.


-William Seaton


***


Developing WPS 2021 Schedule - all readings held via Zoom

All of 2021 Events: Events


Due to the ongoing pandemic - for now, all meetings will be held virtually via Zoom

The Zoom app can be downloaded here: Zoom Download Center


To attend: contact phillip@woodstockpoetry.com

If attending, please indicate if you would like to be on the open mike following the featured readers. Thank you.


01/January 9th - Canceled

02/February 13th - Canceled

03/March 13th - Guy Reed; Victoria Sullivan via Zoom

04/April 10th - Judith Kerman; Leslie Gerber via Zoom

05/May 8th - Judith Saunders; Raphael Kosek via Zoom

06/June 12th - Elizabethanne Spiotta; William Seaton via Zoom

07/July 10th - Barbara Ungar; Lucia Cherciu via Zoom

08/August 14th - Irene Sipos; Perry S. Nicholas via Zoom

09/September 11th - Nine-Eleven 20 years later via Zoom

                                          To present during this event - email: phillip@woodstockpoetry.com

10/October 9th - Philip Pardi; TBA via Zoom

11/November 13th - Elizabeth Cohen; Mary Leonard via Zoom

12/December 11th - Amy Ouzoonian; Anique Taylor and Annual Business Meeting via Zoom


Also, why not become a 2021 Member or donate to the Woodstock Poetry Society?

Membership is $20 a year. (To join or donate, send your check to the Woodstock Poetry Society, P.O. Box 531, Woodstock, NY 12498. Include your email address as well as your mailing address and phone number. Or join online at: www.woodstockpoetry.com/become.html). Your membership helps pay for our upgraded Zoom account, post-office-box rental, the WPS website, and costs associated with publicizing the monthly events. One benefit of membership is the opportunity to have a brief biography and several of your poems appear on this website.

Thursday, June 3, 2021

Warren I. Smith Reflects on Barbra Streisand in his soon-to-be-released memoir by GSP, Crossing Borders & Playing with Pioneers: My Life in Music








When the chemistry is right, people remember. In 1964 I subbed now and then on Funny Girl, a Broadway show starring Barbra Streisand as Fanny Brice. It was her first big break, and she tore the house down night after night. When she quit the show a year later, she called me to play percussion on a national tour. Three years later, she broke into her acting career, winning a Best Actress Oscar for the film version of Funny Girl. I watched her skyrocket. That three-octave range—she had it all. And the chutzpah to cross borders and break new ground. 

A few months later, I got a call. I said yes to the tour. Her limousine driver picked me up and dropped me off at a small airport in New Jersey where her private jet awaited her and the band. Two seats to an aisle and a private bar. Just six musicians. She used local orchestras in each city. 

Along for the tour was her husband, actor Elliot Gould. Show business couples can go through a lot of changes, and I had the feeling they had played all the changes in their wedding song. Maybe his jet was in the repair shop, but he was not handling her success so well. I think he was used to getting a lot more attention. Actors have it tough. He couldn’t give up the jackass role he had cast himself in. 

We arrived in Florida, played a concert with a standing ovation and repaired to a first-class hotel. Barbra knew how to travel. Next day we’re back in her private jet headed for New Orleans. It was my first time in the city that started it all. Touring can be a grind and a half with missed transportation connections and accommodations or troubles with the venue. All that was nowhere to be seen. I had never been in a situation that was so luxurious in my life. 

Audiences loved Barbra. She was a fantastic musician and a model of dependable leadership. She was always on time, took everything seriously and it showed. It did not surprise me that she went in to garner awards for her film acting, writing and directing. Nor that she would succeed in film with such ballsy topics. As for her music, she outgrew the cabaret and show tunes of her early years and crossed over into rock and pop. She kept stretching. She brought that same intensity to her philanthropy work. Like the other greats I have worked with, Barbra always found a way to get it done. 






AFH. The Andrew Freedman Home, 2020, https://andrewfreedmanhome.org/events/.

Eng, Matthew. "The Greatest Star: How Barbra Streisand Broke Out Her Own Way in FUNNY GIRL." Tribeca, 4 Nov. 2020, https://tribecafilm.com/news/the-greatest-star-barbra-streisand-funny-girl-star-persona