Like Walt Whitman
before him, Allen Ginsberg has birthed a kosmos (and cottage industry) of
interpretations, both in terms of life and poem. As regards
contradictions, indeed, both poets contain multitudes. As regards legacies and
celebrities, however, we often confuse the person with the poster. That's why I
found Eliot Katz’s The Poetry and Politics of Allen Ginsberg a valuable
bundle of medicine.
He caused me to
re-member the man I had the good fortune to apprentice under for a summer, not
the media-hyped Mad Magazine beatnik or a fellow poet/scholar's
axe-to-grind or bum's rush vehicle to glory. As reviewer Jim Cohn put it,
"The Allen Ginsberg that Katz has written about is so accurate a portrait
of the Beat Generation poet, as a man and as a political activist, that I could
not put the book down. The real Allen Ginsberg inhabits these pages; not a
fiction. Katz’s Poetry and Politics should be considered a cornerstone of all future research and scholarship
on the relationship between Ginsberg’s poetry and his political beliefs and
actions, as well as their meaning for us now."
Like
Whitman, Ginsberg was "not contain'd between my hat and boots." He
"perused manifold objects." His cup runneth over. He had gargantuan
energy, and Katz, a political poet in his own right, narrates the range of “radical
ideas Ginsberg remained committed to: challenging American policy in such
wide-ranging areas as nuclear proliferation, environmental destruction,
skyrocketing homelessness, the increasing disparity of wealth during the Reagan
and George H. W. Bush eras, continuing racial discrimination, CIA covert actions,
the ‘drug war,’ domestic censorship of art and speech, and military adventures
in such places as Panama and Iraq. Ginsberg did readings to benefit and
publicize countless progressive organizations and projects and served on the
advisory boards of numerous organizations, including the progressive media
watch group, Fairness & Accuracy in Reporting (FAIR), and a national
student activist group that I worked with during the late 1980s and early
1990s, Student Action Union. In the years that I knew Ginsberg, he was
constantly writing or calling government offices to advocate for improved
social policies and urging younger writers like myself to do the same––whether
on the larger political issues like war and peace, or on more targeted cultural
issues like the jailing or censorship of writers (an issue around which
Ginsberg worked with the PEN Freedom to Write Committee).”
Although
the image the quote conjures is the opposite of a sandal-wearing, drug-taking
drop-out, it was this form of witness and organized activism that Ginsberg shared
with the younger generations. Hence, Beatdom Books had it right to publish this
poet-son’s memoir/scholarship during the 2016 presidential elections for this
level of engagement may be the next step we must take in building Whitman’s
Democratic Vista.
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