Peter Kuhn: alto & tenor sax, Bb clarinet
Dave Sewelson: baritone & sopranino sax
Larry Roland: bass
Gerald Cleaver: drums
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Our Earth 25:22
Our World 12:36
It Matters 11:07
Our Earth / Our World is a quartet performance of three sound cycles “recorded on a brisk
evening at the 2015 Arts for Art Festival,” according to Robert Bush’s
excellent liner notes. Spring and all her glories and Stravinsky-esque rites---fertility,
rain, eruption, migration, birth, joy, expansion, fruition, flow, resurrection,
sacrifice, cleansing, emergence, explosion, manifestation, ascension---are
certainly in the house on the opening number, “Our Earth.” Although reedmen Sewelson and Kuhn display agile improvisational duets “thriving
on a riff” whose repetitions and variations turn into prismatic elegance
against the steady heart pulse and groundswell of Roland and Cleaver, the
saxophonists’ greater gifts are reserved for the less traditional sounds they
play. Sewelson’s range on the baritone and sopranino sax evokes so many sounds
of nature: of flight and fight, of waves and wind, of leaves blowing in tress
and brooks overflowing their banks while Kuhn’s Bb clarinet runs and tenor sax
work are wails to the Unknown expressing the inexpressible as Exodus, spider
weave, “space for the Silence.” Indeed, these two downtown free-jazz masters,
relieved of the 32 bar song structure, reveal structure in everything they
undertake.
This sensation of structure within structure only deepens when the
horns lay out and Roland and Cleaver duet, delivering a bare-bone but
kalediscopic pulse before Kuhn returns on tenor sax and Sewelson joins him on
sopranino sax. I have the distinct experience that these four musicians are collectively
celebrating our Earth as the source of our real nature and using their
instruments, a product of civilization, to transport us to a pre- or
post-civilized condition within ourselves. The blended horn ending hit like waking up in
the garden of Eden.
“Our World” opens with Cleaver rolling that multi-rhythmic voodoo on the
drum kit. He’s simultaneously subtle and relentless---truly a force of
nature. By the time clarinet and sopranino
arrive to spin call and answer refrains to Cleaver while Roland holds it down,
the band has truly transported this listener to a new appreciation of our
world.
“It Matters” features Roland out front with an extraordinary bass solo
with some beautiful bowing that, like his peers on reeds, finds sounds, rhythms
and harmonies that return the listener to the world of nature: whales, tides,
swells, whirpools. Cleaver’s skills with cymbals add gravitas to the mix while
Kuhn flies the skies on clarinet and Sewelson bends time with his bare hands
and long tones. Yes, this is a return to our original nature. It is not music
pointing at a portal; its music IS the portal. As bassist extraordinaire &
AG scene mahker William Parker writes, “Veterans are in the house bringing in
some of that old time religion. No time to experiment they know exactly where
they are going into the unknown where pure creativity lives.”
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